Winner of the 2023 APR/Honickman First Book Prize and selected by judge Dana Levin, Public Abstract is an intricate debut that examines illness and recovery, addiction and loss.
Winner of the 2023 APR/Honickman First Book Prize, Jane Huffman’s intricate debut collection, Public Abstract, examines illness and recovery, loss and addiction: the ripples of influence an addict has on their family circle, and vice versa. We watch as a private mind, devoted to its privacy, is laid out on the page and abstracted to become a public revelation. Building an aesthetic of compressed interiority, the speaker’s tension is clear—“From one lung, I tell the truth. / From the other lung, I lie.” Through intimate and meticulous poems, Public Abstract explores the operations of form, sewn together, and the failings of form, ripped apart. Crumbling under its own weight and folderol, form becomes an act of invention and in Huffman’s expert hands, revision becomes a genre."Sinopsis" puede pertenecer a otra edición de este libro.
Author Bio
Jane Huffman is a poet from Michigan. She received an MFA from the Iowa Writers’ Workshop and is currently a doctoral student at the University of Denver. Jane was a 2019 recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation. She is founder and editor-in-chief of Guesthouse, an online literary journal.
Judge Bio
Dana Levin’s newest book of poetry is Now Do You Know Where You Are (Copper Canyon Press 2022), named a “Best of 2022 Book” by NPR. Her first book, In the Surgical Theatre, was chosen by Louise Glück for the 1999 APR/Honickman First Book Prize and went on to receive numerous honors, including the 2003 PEN/Osterweil Award. Copper Canyon Press brought out her second book, Wedding Day, in 2005, and in 2011 Sky Burial, which The New Yorker called “utterly her own and utterly riveting.”
Public Abstract I swept and am sweeping, have slept and am sleeping. I heaved the head of the mop to the hod and I’m heaving. I’m sweating, I’m wetting the corn of my broom. I’m washing the floor in the room where I waited for reason. I reasoned, I teased at the edges of reason. Spirometry I am under-interpreting my symptoms, the doctor says. I have grown accustomed to them, and so I no longer interpret them as abnormal. My account can no longer be trusted. I watch his screens from inside the glass box. On one monitor, green lines tick against a dark backdrop. On another, a cursor draws absentmindedly, making the shape of a bread roll. Now do it, the doctor says, as if you’re breathing against a brick wall. On a third monitor, a dark circle expands and contracts like a pulsing eyespot. Air buckles in the back of my mouth. So it says here you teach writing, the doctor says, here at the University. His intonation makes it a question, although it is not. The machine beeps, and I exhale fast and hard until my lungs are bottomed out. I’m so in love with interpretation that I’m blue in the face from kissing it.
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