Winner of the 2023 APR/Honickman First Book Prize and selected by judge Dana Levin, Public Abstract is an intricate debut that examines illness and recovery, addiction and loss. Winner of the 2023 APR/Honickman First Book Prize, Jane Huffman’s intricate debut collection, Public Abstract, examines illness and recovery, loss and addiction: the ripples of influence an addict has on their family circle, and vice versa. We watch as a private mind, devoted to its privacy, is laid out on the page and abstracted to become a public revelation. Building an aesthetic of compressed interiority, the speaker’s tension is clear—“From one lung, I tell the truth. / From the other lung, I lie.” Through intimate and meticulous poems, Public Abstract explores the operations of form, sewn together, and the failings of form, ripped apart. Crumbling under its own weight and folderol, form becomes an act of invention and in Huffman’s expert hands, revision becomes a genre.
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About the Author
Jane Huffman is a poet from Michigan. She received an MFA from the Iowa Writers’ Workshop and is currently a doctoral student at the University of Denver. A recipient of the 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, Huffman is founder and editor-in-chief of Guesthouse, an online literary journal.
About the Judge
Dana Levin’s newest book of poetry Now Do You Know Where You Are (Copper Canyon Press 2022) was named one of the "Best Books of 2022" by NPR and was included on the New York Times "100 Notable Books of 2022" list. Her first book, In the Surgical Theatre, was chosen by Louise Glück for the 1999 APR/Honickman First Book Prize and went on to receive numerous honors, including the 2003 PEN/Osterweil Award. Copper Canyon Press brought out her second book, Wedding Day, in 2005, and in 2011 Sky Burial, which The New Yorker called “utterly her own and utterly riveting.”
Public Abstract
I swept
and am
sweeping, have
slept
and am sleeping.
I heaved the head
of the mop
to the hod
and I’m heaving.
I’m
sweating,
I’m wetting
the corn
of my broom.
I’m
washing
the floor
in the room
where I
waited for
reason.
I reasoned,
I teased
at the
edges of
reason.
Spirometry
I am under-interpreting my symptoms, the doctor says.
I have grown accustomed to them, and so I no longer interpret
them as abnormal. My account can no longer be trusted.
I watch his screens from inside the glass box. On one monitor,
green lines tick against a dark backdrop. On another, a cursor
draws absentmindedly, making the shape of a bread roll.
Now do it, the doctor says, as if you’re breathing against a
brick wall. On a third monitor, a dark circle expands and
contracts like a pulsing eyespot. Air buckles in the back of
my mouth.
So it says here you teach writing, the doctor says, here
at the University. His intonation makes it a question,
although it is not. The machine beeps, and I exhale fast and
hard
until my lungs are bottomed out. I’m so in love with interpretation
that I’m blue in the face from kissing it.
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