Lisa Fishman’s latest collection, One Big Time, is a stunning articulation of the author’s “journey-in-place” in the environs around a one-room cabin in Northeastern Ontario over a period of fourteen days in quarantine.
Here is the author at her most exacting and exploratory, in poems that hew with lyric precision to the immediate physical and geologic environment. At the same time, language is an alert, mobile life-form in active investigation of what one thinks one understands, and of where one thinks one is. While the poet quests daily for a passageway from one body of water into another, words live in other words (“the hemlock / is a he / today”), and acrostics are illuminations: s-w-i-m is “sleek widening instant’s magnet.” Surprised by joy, these biocentric poems offer a way of being in the world with wonder and rigor––attentive enough to be lost, unknowing enough to be changed.
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Lisa Fishman is the author of eight books of poetry, a short story collection, and several chapbooks. Her newest poetry book is One Big Time, out on Wave Books in spring, 2025. World Naked Bike Ride was published in Canada by Gaspereau Press in 2022 and was a finalist for the Canadian ReLit Award in short fiction. Other Wave poetry titles are Mad World, Mad Kings, Mad Composition (2020) and 24 Pages and other poems (2015). Fishman is also the author of three books on Ahsahta Press: F L O W E R C A R T (2011); The Happiness Experiment (2007); and Dear, Read (2002); the latter was selected by Brenda Hillman as a finalist for the Sawtooth Poetry Prize. Fishman’s other books are Current (Parlor Press, 2011) and The Deep Heart’s Core is a Suitcase (New Issues Press, 1996).
Fishman’s work is anthologized in Best American Experimental Writing (Omnidawn, 2014, ed. Cole Swenson), The Ecopoetry Anthology (Trinity University Press, 2013), The Arcadia Project: North American Postmodern Pastoral (Ahsahta Press, 2012), Not For Mothers Only (Fence Books, 2007), American Poetry: The Next Generation (Carnegie-Mellon University Press, 2000) and elsewhere. She is a dual US/Canadian with earlier roots in both the Detroit area and Montreal.
July 10–13
you could just say
not anything
in the forest
under hemlock
waterbeing going by
meant to write waterbody
but it came out waterbeing
under treebody
––––
it’s different outside how the ground is
warm: springy, moss-covered and
root-traversed, very warm
underfoot, under trees’
shade
the borrowed cabin’s
new laminate floor makes your feet
very cold
what else
for the loves
––––
The current of the lake is swift
like a river
is it a river? I ask but no one
says yes or no one
knows
because it is a lake
that merges w/other lakes
I ask for a map but
none appears
Water being
one that flows: F L O W - e r
gets to
open in
the swim
morning, night &
in between
all day
Day all a bird
sound makes
off to the side
—can’t say which direction but you know
over the shoulder, not far
the names of friends pop in
across the page and then
my father’s handwriting for a
few words where I see
he made his fs and gs
different from mine
there’s the water
moving swiftly
this forest
––––
Have not found the passage to the other lake
just to the left of downed trees where someone pointed
I set off
in my boat twice and the
first time did not find it &
the second time
did not find it
In between he asked
if I found it
No I said but will look again
It’s marshy he said
and I set off again
looking more closely
where you might get thru
a marshy, hidden passage
but it stayed hidden
so I’ll look again
although I’d really like to go in the other direction
with the current, which is consistent
every day—it blows or moves
from north to south
ask why
when he brings a map
Also looked for the passage on foot
(banked the boat on “Crown land”)
across the water
but only found myself lost,
or rather, surprised
ea. time I came out of the
forest to the water
to see where I was
on the shoreline
& it seemed I kept ending up in
the same place
even tho that makes no sense at all
actually it seemed I was in a different place
but that a landmark I’d noted somewhere else
had shifted too and was now in the different place
where I was, which I understand
is impossible
P. S. Evergreens were dying all the way up the U. P.
but not here
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Paperback. Condición: new. Paperback. Lisa Fishman's latest collection, One Big Time, is a stunning articulation of the author's "journey-in-place" in the environs around a one-room cabin in Northeastern Ontario over a period of fourteen days in quarantine.Here is the author at her most exacting and exploratory, in poems that hew with lyric precision to the immediate physical and geologic environment. At the same time, language is an alert, mobile life-form in active investigation of what one thinks one understands, and of where one thinks one is. While the poet quests daily for a passageway from one body of water into another, words live in other words ("the hemlock / is a he / today"), and acrostics are illuminations: s-w-i-m is "sleek widening instant's magnet." Surprised by joy, these biocentric poems offer a way of being in the world with wonder and rigorattentive enough to be lost, unknowing enough to be changed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9798891060142
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Paperback. Condición: New. Lisa Fishman's latest collection, One Big Time, is a stunning articulation of the author's "journey-in-place" in the environs around a one-room cabin in Northeastern Ontario over a period of fourteen days in quarantine.Here is the author at her most exacting and exploratory, in poems that hew with lyric precision to the immediate physical and geologic environment. At the same time, language is an alert, mobile life-form in active investigation of what one thinks one understands, and of where one thinks one is. While the poet quests daily for a passageway from one body of water into another, words live in other words ("the hemlock / is a he / today"), and acrostics are illuminations: s-w-i-m is "sleek widening instant's magnet." Surprised by joy, these biocentric poems offer a way of being in the world with wonder and rigor--attentive enough to be lost, unknowing enough to be changed. Nº de ref. del artículo: LU-9798891060142
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Paperback. Condición: New. Lisa Fishman's latest collection, One Big Time, is a stunning articulation of the author's "journey-in-place" in the environs around a one-room cabin in Northeastern Ontario over a period of fourteen days in quarantine.Here is the author at her most exacting and exploratory, in poems that hew with lyric precision to the immediate physical and geologic environment. At the same time, language is an alert, mobile life-form in active investigation of what one thinks one understands, and of where one thinks one is. While the poet quests daily for a passageway from one body of water into another, words live in other words ("the hemlock / is a he / today"), and acrostics are illuminations: s-w-i-m is "sleek widening instant's magnet." Surprised by joy, these biocentric poems offer a way of being in the world with wonder and rigor--attentive enough to be lost, unknowing enough to be changed. Nº de ref. del artículo: LU-9798891060142
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