Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries.
Black Voices on Stage collects ten diverse case studies of nineteenth-century and early twentieth-century African American singers and actors―names that have been largely left out of our general music history books―whose lives and performances address questions of race, identity, musical expression, and audience reception. Rediscovering, remembering, and celebrating the public careers of Black entertainers who worked in a period dominated by pernicious stereotypes of blackface minstrelsy illustrates how their achievements still deserve our attention. Although most of the book is devoted to relatively obscure figures who worked outside of minstrelsy, such as Tom Wiggins, Sissieretta Jones, Bob Cole, Will Marion Cook, and others, a final chapter examines how even the career of Paul Robeson (1898–1976)―arguably the most prominent Black voice on stage in the twentieth century―has fallen under a partial shadow. Riis offers new insights into these pioneering performers, restoring their lives and achievements to the rich tapestry of American music.
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Thomas L. Riis is Professor Emeritus of musicology at the University of Colorado Boulder, where he served as Director of the American Music Research Center from 1992–2018. His book, Just Before Jazz: Black Musical Theater in New York, 1890 to 1915, won an ASCAP-Deems Taylor Award. He is also the author of the book Frank Loesser. He lives in Oberlin, Ohio.
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Paperback. Condición: new. Paperback. Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries.Black Voices on Stage collects ten diverse case studies of nineteenth-century and early twentieth-century African American singers and actorsnames that have been largely left out of our general music history bookswhose lives and performances address questions of race, identity, musical expression, and audience reception. Rediscovering, remembering, and celebrating the public careers of Black entertainers who worked in a period dominated by pernicious stereotypes of blackface minstrelsy illustrates how their achievements still deserve our attention. Although most of the book is devoted to relatively obscure figures who worked outside of minstrelsy, such as Tom Wiggins, Sissieretta Jones, Bob Cole, Will Marion Cook, and others, a final chapter examines how even the career of Paul Robeson (18981976)arguably the most prominent Black voice on stage in the twentieth centuryhas fallen under a partial shadow. Riis offers new insights into these pioneering performers, restoring their lives and achievements to the rich tapestry of American music. Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9798855809640
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries.Black Voices on Stage collects ten diverse case studies of nineteenth-century and early twentieth-century African American singers and actors-names that have been largely left out of our general music history books-whose lives and performances address questions of race, identity, musical expression, and audience reception. Rediscovering, remembering, and celebrating the public careers of Black entertainers who worked in a period dominated by pernicious stereotypes of blackface minstrelsy illustrates how their achievements still deserve our attention. Although most of the book is devoted to relatively obscure figures who worked outside of minstrelsy, such as Tom Wiggins, Sissieretta Jones, Bob Cole, Will Marion Cook, and others, a final chapter examines how even the career of Paul Robeson (1898-1976)-arguably the most prominent Black voice on stage in the twentieth century-has fallen under a partial shadow. Riis offers new insights into these pioneering performers, restoring their lives and achievements to the rich tapestry of American music. Nº de ref. del artículo: 9798855809640
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Paperback. Condición: new. Paperback. Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries.Black Voices on Stage collects ten diverse case studies of nineteenth-century and early twentieth-century African American singers and actorsnames that have been largely left out of our general music history bookswhose lives and performances address questions of race, identity, musical expression, and audience reception. Rediscovering, remembering, and celebrating the public careers of Black entertainers who worked in a period dominated by pernicious stereotypes of blackface minstrelsy illustrates how their achievements still deserve our attention. Although most of the book is devoted to relatively obscure figures who worked outside of minstrelsy, such as Tom Wiggins, Sissieretta Jones, Bob Cole, Will Marion Cook, and others, a final chapter examines how even the career of Paul Robeson (18981976)arguably the most prominent Black voice on stage in the twentieth centuryhas fallen under a partial shadow. Riis offers new insights into these pioneering performers, restoring their lives and achievements to the rich tapestry of American music. Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9798855809640
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Paperback. Condición: new. Paperback. Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries.Black Voices on Stage collects ten diverse case studies of nineteenth-century and early twentieth-century African American singers and actorsnames that have been largely left out of our general music history bookswhose lives and performances address questions of race, identity, musical expression, and audience reception. Rediscovering, remembering, and celebrating the public careers of Black entertainers who worked in a period dominated by pernicious stereotypes of blackface minstrelsy illustrates how their achievements still deserve our attention. Although most of the book is devoted to relatively obscure figures who worked outside of minstrelsy, such as Tom Wiggins, Sissieretta Jones, Bob Cole, Will Marion Cook, and others, a final chapter examines how even the career of Paul Robeson (18981976)arguably the most prominent Black voice on stage in the twentieth centuryhas fallen under a partial shadow. Riis offers new insights into these pioneering performers, restoring their lives and achievements to the rich tapestry of American music. Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9798855809640
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Taschenbuch. Condición: Neu. Black Voices on Stage | Recovering African American Performances, 1850-1940 | Thomas L. Riis | Taschenbuch | Englisch | 2026 | SUNY Press | EAN 9798855809640 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Nº de ref. del artículo: 136441136
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