Haunting the World: Essays on Film After Perkins and Cavell (SUNY series, Horizons of Cinema) - Tapa blanda
Sinopsis
Argues that the experience of the ordinary film viewer and the investigations of the film scholar or film philosopher are not necessarily so far apart.
In Haunting the World, Dominic Lash tries to show that taking films seriously in no way interferes with the pleasure we get from watching them. The book draws its title from the philosopher Stanley Cavell, who saw "haunting the world" as something we are all prone to and who claimed that cinema's relationship with this tendency is both an "importance" and a "danger" of film. Specifically, Lash proposes that the work of Cavell and of the critic and scholar V. F. Perkins have valuable lessons to offer contemporary film studies, some of which are in danger of being neglected. Written in a lively and approachable style that makes philosophical ideas accessible without simplifying them, the book argues that film theory risks going awry when it dismisses or underestimates the experience of the ordinary film viewer. Haunting the World offers fresh accounts of fundamental topics, including description, experience, and agency, and examines in detail important films by Ildikó Enyedi, Paul Thomas Anderson, Ridley Scott, Werner Herzog, Andrei Tarkovsky, Kelly Reichardt, and more.
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Acerca del autor
Dominic Lash is the author of several books, including The Cinema of Disorientation: Inviting Confusions and Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism, and the coeditor, with Hoi Lun Law, of Gilles Deleuze and Film Criticism: Philosophy, Theory, and the Individual Film.
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Haunting the World: Essays on Film After Perkins and Cavell
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Haunting the World: Essays on Film After Perkins and Cavell
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HAUNTING THE WORLD Essays on Film After Perkins and Cavell
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ISBN 13: 9798855803129
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Paperback. Condición: New. Argues that the experience of the ordinary film viewer and the investigations of the film scholar or film philosopher are not necessarily so far apart.In Haunting the World, Dominic Lash tries to show that taking films seriously in no way interferes with the pleasure we get from watching them. The book draws its title from the philosopher Stanley Cavell, who saw "haunting the world" as something we are all prone to and who claimed that cinema's relationship with this tendency is both an "importance" and a "danger" of film. Specifically, Lash proposes that the work of Cavell and of the critic and scholar V. F. Perkins have valuable lessons to offer contemporary film studies, some of which are in danger of being neglected. Written in a lively and approachable style that makes philosophical ideas accessible without simplifying them, the book argues that film theory risks going awry when it dismisses or underestimates the experience of the ordinary film viewer. Haunting the World offers fresh accounts of fundamental topics, including description, experience, and agency, and examines in detail important films by Ildikó Enyedi, Paul Thomas Anderson, Ridley Scott, Werner Herzog, Andrei Tarkovsky, Kelly Reichardt, and more. Nº de ref. del artículo: LU-9798855803129
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Paperback. Condición: new. Paperback. Argues that the experience of the ordinary film viewer and the investigations of the film scholar or film philosopher are not necessarily so far apart.In Haunting the World, Dominic Lash tries to show that taking films seriously in no way interferes with the pleasure we get from watching them. The book draws its title from the philosopher Stanley Cavell, who saw "haunting the world" as something we are all prone to and who claimed that cinema's relationship with this tendency is both an "importance" and a "danger" of film. Specifically, Lash proposes that the work of Cavell and of the critic and scholar V. F. Perkins have valuable lessons to offer contemporary film studies, some of which are in danger of being neglected. Written in a lively and approachable style that makes philosophical ideas accessible without simplifying them, the book argues that film theory risks going awry when it dismisses or underestimates the experience of the ordinary film viewer. Haunting the World offers fresh accounts of fundamental topics, including description, experience, and agency, and examines in detail important films by Ildiko Enyedi, Paul Thomas Anderson, Ridley Scott, Werner Herzog, Andrei Tarkovsky, Kelly Reichardt, and more. Argues that the experience of the ordinary film viewer and the investigations of the film scholar or film philosopher are not necessarily so far apart. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9798855803129
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Haunting the World: Essays on Film After Perkins and Cavell
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State University of New York Press, 2026
ISBN 13: 9798855803129
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Haunting the World (Paperback)
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ISBN 13: 9798855803129
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Paperback. Condición: new. Paperback. Argues that the experience of the ordinary film viewer and the investigations of the film scholar or film philosopher are not necessarily so far apart.In Haunting the World, Dominic Lash tries to show that taking films seriously in no way interferes with the pleasure we get from watching them. The book draws its title from the philosopher Stanley Cavell, who saw "haunting the world" as something we are all prone to and who claimed that cinema's relationship with this tendency is both an "importance" and a "danger" of film. Specifically, Lash proposes that the work of Cavell and of the critic and scholar V. F. Perkins have valuable lessons to offer contemporary film studies, some of which are in danger of being neglected. Written in a lively and approachable style that makes philosophical ideas accessible without simplifying them, the book argues that film theory risks going awry when it dismisses or underestimates the experience of the ordinary film viewer. Haunting the World offers fresh accounts of fundamental topics, including description, experience, and agency, and examines in detail important films by Ildiko Enyedi, Paul Thomas Anderson, Ridley Scott, Werner Herzog, Andrei Tarkovsky, Kelly Reichardt, and more. Argues that the experience of the ordinary film viewer and the investigations of the film scholar or film philosopher are not necessarily so far apart. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9798855803129
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