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Sinopsis
Explores life writing and personal narratives from around the globe through the framework of world literature.
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Acerca de los autores
Helga Lenart-Cheng is Professor at Saint Mary's College of California, USA. Her research focuses on critical media theory, life writing, theories of subjectivity and memory, phenomenological hermeneutics, and world literature. She publishes widely on emerging forms of storytelling and their social, political, and ethical context. Her most recent book, Story Revolutions: Collective Narratives from the Enlightenment to the Digital Age (2022), studies the role of narratives in communities.
Ioana Luca is Professor of English at National Taiwan Normal University. She has published on life writing, American literature, and memory studies. Her publications include articles in Social Text, Rethinking History, Prose Studies, Biography, Slavic and East European Journal, Journal of American Studies, and chapters in several edited volumes. She coedited several special issues, most recently, Postsocialist Literatures in the US (2019) and The Cultures of Global Post/socialisms (2022) with Claudia Sadowski-Smith.
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Life Writing as World Literature
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Life Writing As World Literature
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Life Writing as World Literature
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Life Writing As World Literature
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Life Writing as World Literature (Literatures as World Literature)
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Life Writing as World Literature (Literatures as World Literature)
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Life Writing As World Literature
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Life Writing as World Literature
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Hardback. Condición: New. A global array of contributors explore the interplay between translation and circulation, mediums and materialities, and aesthetics and politics in how life writing is shaped by and becomes world literature.We live in the age of popular self-representation in that most people around the globe either produce or consume autobiographical material: memoirs, selfies, blogs, etc. The current volume investigates this global phenomenon and examines how life writing and world literature converge. Why do some personal stories get "picked up," translated, circulated, and taught in classrooms, while others remain moored in local waters? Do autobiographical stories that travel widely have something in common about them? Or is it the other way around, is it our notion of "world literature" that imposes uniform expectations on these diverse texts? And what can we gain from studying these two fields in conjunction? Life Writing as World Literature brings together experts who map regional and local autobiographical traditions from six continents. These scholars explore the dynamic interplay between local and global aesthetics and sociopolitical concerns, presenting case studies that include prison narratives from communist regimes, Japanese diaries, multilingual Caribbean memoirs, Indian auto/biographical comics, and stories by Taiwanese domestic workers. To understand how and why some personal stories enter global dissemination, contributors inquire into translation, market mechanisms, and circulation patterns, while also exploring the affordances of new media and materialities when recording contemporary lives. Life Writing as World Literature brings a fresh perspective to both fields - world literature and life writing - opening up exciting avenues of research. Nº de ref. del artículo: LU-9798765107119
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Life Writing as World Literature (Hardcover)
Impresión bajo demandaLibrería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Hardcover. Condición: new. Hardcover. A global array of contributors explore the interplay between translation and circulation, mediums and materialities, and aesthetics and politics in how life writing is shaped by and becomes world literature.We live in the age of popular self-representation in that most people around the globe either produce or consume autobiographical material: memoirs, selfies, blogs, etc. The current volume investigates this global phenomenon and examines how life writing and world literature converge. Why do some personal stories get picked up, translated, circulated, and taught in classrooms, while others remain moored in local waters? Do autobiographical stories that travel widely have something in common about them? Or is it the other way around, is it our notion of world literature that imposes uniform expectations on these diverse texts? And what can we gain from studying these two fields in conjunction? Life Writing as World Literature brings together experts who map regional and local autobiographical traditions from six continents. These scholars explore the dynamic interplay between local and global aesthetics and sociopolitical concerns, presenting case studies that include prison narratives from communist regimes, Japanese diaries, multilingual Caribbean memoirs, Indian auto/biographical comics, and stories by Taiwanese domestic workers. To understand how and why some personal stories enter global dissemination, contributors inquire into translation, market mechanisms, and circulation patterns, while also exploring the affordances of new media and materialities when recording contemporary lives. Life Writing as World Literature brings a fresh perspective to both fields world literature and life writing opening up exciting avenues of research. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9798765107119
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