It was to be a thrilling moment. February 1972 marked the culmination of every rehearsal, every hope, and every ounce of preparation, all leading to six unforgettable days in the glittering world of musical theatre. As I stepped onto the stage of the Royal Shakespeare Theatre, a heady mix of nerves and excitement coursed through me. I was about to undergo a transformation that was both personal and theatrical, and I could scarcely wait. Yet one question lingered in the back of my mind: what could possibly go wrong?
In the honoured tradition of live performance, the answer was almost limitless. A forgotten line, a missed cue, a costume determined to part company with its wearer at the worst possible moment, or an impromptu bout of improvisation capable of carrying cast and audience alike into completely uncharted territory. On a stage, anything could happen, and quite often it did.
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