Our goal is to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre."" (Peter Anton Ling and Marina Sandel, editors)
OperAria is the ideal ""vocal coach"" for all voice types, and an anthology of opera arias. The books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.
- Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria).
- with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance).
- with information on the composer, the librettist, the work, the range of versions or casting.
- with a short synopsis of the contents, illuminating the basic dramatic constellation in the context of the operas plot.
- with an evaluation from the singers point of view.
- with a phonetic assistant: aria texts in the original language spoken by native speakers as an mp3 audio file (on the CD).
- with aria texts in German and English translations as a PDF text file (on the CD).
"Sinopsis" puede pertenecer a otra edición de este libro.
ALBUM CONTENTS: -
Gluck: Qual vita / Che fiero momento (Euridice from 'Orfeo ed Euridice')
- Mozart: Ruhe sanft (Zaide from 'Zaide')
- Mozart: Giunse alfin il momento / Deh vieni non tardar (Susanna from 'Le nozze di Figaro')
- Mozart: Ach, ich fühls (Pamina from 'Die Zauberflöte')
- Mozart: Saltro che lacrime (Servilia from 'La clemenza di Tito')
- Beethoven: O wär ich schon mit dir vereint (Marzelline from 'Fidelio')
- Lortzing: Auf des Lebens raschen Wogen (Baronin from 'Der Wildschütz')
- Bellini: Eccomi in lieta vesta / Oh! quante volte (Giulietta from 'I Capuleti e i Montecchi')
- Flotow: Letzte Rose (Lady Harriet from 'Martha')
- Mozart: Porgi amor (La Contessa from 'Le nozze di Figaro')
- Mozart: E Susanna non vien! / Dove sono i bei momenti (La Contessa from 'Le nozze di Figaro')
- Rossini: Sombre forêt (Mathilde from 'Guillaume Tell')
- Verdi: Come in questora bruna (Amelia from 'Simon Boccanegra')
- Gounod: Que vois-je là ? / Ah ! je ris de me voir (Marguerite from 'Faust')
- Offenbach: Elle a fui, la tourterelle ! (Antonia from 'Les Contes dHoffmann')
- Smetana: Och, jaký al! / Ten lásky sen (Marenka from 'Prodana nevesta')
- Bizet: Je dis, que rien ne mépouvante (Micaëla from 'Carmen')
- Tschaikowsky: Scena pisma (Tatjana from 'Evgenij Onegin')
- Leoncavallo: Qual fiamma / Stridono lassù (Nedda from 'I Pagliacci')
- Puccini: Sì. Mi chiamano Mimì (Mimì from 'La bohème')
- Puccini: Chi il bel sogno di Doretta (Magda from 'La rondine')
- Charpentier: Depuis le jour (Louise from 'Louise')
- Mascagni: Son pochi fiori (Suzel from 'Lamico Fritz')
- Britten: Embroidery in childhood (Ellen Orford from 'Peter Grimes')
--Schott Music
Our goal is to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre."" (Peter Anton Ling and Marina Sandel, editors)
OperAria is the ideal ""vocal coach"" for all voice types, and an anthology of opera arias. The books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.
- Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria).
- with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance).
- with information on the composer, the librettist, the work, the range of versions or casting.
- with a short synopsis of the contents, illuminating the basic dramatic constellation in the context of the operas plot.
- with an evaluation from the singers point of view.
- with a phonetic assistant: aria texts in the original language spoken by native speakers as an mp3 audio file (on the CD).
- with aria texts in German and English translations as a PDF text file (on the CD).
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: CONTINUO Noten-Buch-Versand, Spabrücken, Alemania
Condición: New. Repertoire lyrisch. Band 2: lyrisch mit CD GES-H (S) KLAV Qual vita e questa mai RUHE SANFT (AUS ZAIDE) Giunse alfin il momento / Deh vieni non tardar (aus Hochzeit des Figaro) ACH ICH FUEHL'S ES IST VERSCHWUNDEN (AUS ZAUBERFLOETE) S'altro che lagrime (aus La clemenza di Tito) O WAER ICH SCHON MIT DIR VEREINT Auf des Lebens raschen Wogen (aus Wildschuetz) ECCOMI IN LIETA VESTA (AUS I CAPULETI E I MONTECCHI) Die letzte Rose (aus Martha) PORGI AMOR QUALCHE RISTORO (AUS LE NOZZE DI FIGARO) Dove sono i bei momenti / E Susanna non vien (aus Hochzeit des Figaro) SOMBRE FORET (AUS WILHELM TELL) COME IN QUEST'ORA BRUNA (AUS SIMON BOCCANEGRA) Ah je ris de me vois si belle / Il etait un Roi de Thule aus Faust ELLE A FUI (AUS HOFFMANNS ERZAEHLUNGEN) Och jaky zal / Ten lasky sen aus Prodana nevesta JE DIS QUE RIEN NE M'EPOUVANTE (AUS CARMEN) Scena pis'ma aus Eugen Onegin QUAL FIAMMA STRIDONO LASSU (AUS I PAGLIACCI) SI MI CHIAMANO MIMI (AUS LA BOHEME) CHI IL BEL SOGNO DI DORETTA Depuis le jour aus Louise SON POCHI FIORI (AUS L'AMICO FRITZ) Embroidery in childhood aus Peter Grimes. Nº de ref. del artículo: 644678
Cantidad disponible: 4 disponibles
Librería: moluna, Greven, Alemania
Kartoniert / Broschiert. Condición: New. Ling, Peter Anton, ed|Repertoire-Sammlung nach stimmlichen Kriterien|Phonetik-Assistent in dt, it, fr, kyr, en|Arientexte als pdf-Datei in deutsch und englisch|mit Kommentaren zu den Arien und Informationen zu Komponist, Librettist und|Werk|Inhaltsangabe zu. Nº de ref. del artículo: 150217676
Cantidad disponible: 4 disponibles