Sinopsis
The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence.
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Reseña del editor
The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence.
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The Development of the Italian Schools of Painting
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The Development of the Italian Schools of Painting
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. I: Bicci di Lorenzo, Paolo di Stefano, Dello Delix, Rossello di Jacopo Franchi, Giovanni dal Ponte, Pseudo-Ambrogio di Baldese, the painters of Cassoni and some miniaturists.- II: The Florentine Camaldolese miniatures of about the year 1400, Lorenzo Monaco . Nº de ref. del artículo: 5836725
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The Development of the Italian Schools of Painting
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -I: Bicci di Lorenzo, Paolo di Stefano, Dello Delix, Rossello di Jacopo Franchi, Giovanni dal Ponte, Pseudo-Ambrogio di Baldese, the painters of Cassoni and some miniaturists.- II: The Florentine Camaldolese miniatures of about the year 1400, Lorenzo Monaco and his followers.- III: Masolino da Panicale.- IV: Sassetta.- V: Giovanni di Paolo.- VI: Sano di Pietro.- VII: Domenico di Bartolo and Priamo della Quercia.- VIII: Tuscan Paintings of minor importance of the beginning of the 15th century.- Additions and Corrections.- Indices.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 652 pp. Englisch. Nº de ref. del artículo: 9789401516587
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The Development of the Italian Schools of Painting
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Springer Netherlands Jan 1927, 1927
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence. 652 pp. Englisch. Nº de ref. del artículo: 9789401516587
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The Development of the Italian Schools of Painting | Volume IX
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Taschenbuch. Condición: Neu. The Development of the Italian Schools of Painting | Volume IX | Raimond Van Marle | Taschenbuch | viii | Englisch | Springer | EAN 9789401516587 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. Nº de ref. del artículo: 105994650
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The Development of the Italian Schools of Painting : Volume IX
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ISBN 10: 9401516588
ISBN 13: 9789401516587
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence. Nº de ref. del artículo: 9789401516587
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