During the classical period, aesthetics was an inward-facing field, not concerned with the socioeconomic reality of everyday life. However, art has always flourished across societies as a direct product of the very realities of caste, class, and gender that aesthetics long ignored. As a result, aesthetics as a keyword in the humanities stands at a crossroads today. Eschewing definitions, this volume attempts to explore what aesthetics can be, to deploy the dissipation of classical aesthetics into a reconstituted toolkit of critical terms―anger, shock, beauty, form, praxis, affect.
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V.S. Sreenath is Assistant Professor, Department of Humanities and Social Sciences, IISER Bhopal.
Anandita Pan is Assistant Professor, Department of Humanities and Social Sciences, IISER Bhopal.
Punnya Rajendran is Assistant Professor, Department of English Studies, Central University of Tamil Nadu.
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Soft cover. Condición: New. During the classical period, aesthetics was an inward-facing field, not concerned with the socioeconomic reality of everyday life. However, art has always flourished across societies as a direct product of the very realities of caste, class, and gender that aesthetics long ignored. As a result, aesthetics as a keyword in the humanities stands at a crossroads today. Eschewing definitions, this volume attempts to explore what aesthetics can be, to deploy the dissipation of classical aesthetics into a reconstituted toolkit of critical termsanger, shock, beauty, form, praxis, affect. The authors signal that aesthetics is to be treated less as a body of knowledge and more as an approach or a method that is both ahistorical and comparatist. Nº de ref. del artículo: 150415
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Paperback. Condición: new. Paperback. During the classical period, aesthetics was an inward-facing field, not concerned with the socioeconomic reality of everyday life. However, art has always flourished across societies as a direct product of the very realities of caste, class, and gender that aesthetics long ignored. As a result, aesthetics as a keyword in the humanities stands at a crossroads today. Eschewing definitions, this volume attempts to explore what aesthetics can be, to deploy the dissipation of classical aesthetics into a reconstituted toolkit of critical termsanger, shock, beauty, form, praxis, affect. The authors signal that aesthetics is to be treated less as a body of knowledge and more as an approach or a method that is both ahistorical and comparatist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9789354424021
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