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New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism: 07 (Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute, 7) - Tapa blanda

 
9789058677341: New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism: 07 (Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute, 7)
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ISBN 10: 9058677346 ISBN 13: 9789058677341
Editorial: Leuven University Press, 2009

Sinopsis

'New Paths', the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800–1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism.Janet Schmalfeldt shows that Beethoven’s op.47 not only should be called the Bridgetower rather than the Kreutzer Sonata, but also that this makes a difference as to its meaning. Extreme contrasts between emotional and mechanical types of music in late Beethoven are explainedby Scott Burnham as stagings of the limits of human subjectivity. Jim Samson discusses Chopin’s little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens’ case study of Franz Lachner’s Heine songs sheds new light on radical experimentation by a so-called epigone in the period between Schubert and Schumann’s miracle song year. With contributions by: Scott Burnham, John Neubauer, Jim Samson, Janet Schmalfeldt, Susan Youens.

"Sinopsis" puede pertenecer a otra edición de este libro.

Acerca del autor

Darla Crispin is Senior Research Fellow at Orpheus Research Centre in Music (ORCiM, Belgium).

De la contraportada

'New Paths', the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800–1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism.Janet Schmalfeldt shows that Beethoven’s op.47 not only should be called the Bridgetower rather than the Kreutzer Sonata, but also that this makes a difference as to its meaning. Extreme contrasts between emotional and mechanical types of music in late Beethoven are explainedby Scott Burnham as stagings of the limits of human subjectivity. Jim Samson discusses Chopin’s little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens’ case study of Franz Lachner’s Heine songs sheds new light on radical experimentation by a so-called epigone in the period between Schubert and Schumann’s miracle song year. With contributions by: Scott Burnham, John Neubauer, Jim Samson, Janet Schmalfeldt, Susan Youens.

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
Leuven University Press
Año de publicación
2009
Idioma
Inglés
ISBN 10 
9058677346
ISBN 13 
9789058677341
Encuadernación
Tapa blanda
Número de páginas
136
Editor
Crispin Darla
Contacto del fabricante
no disponible
Persona responsable
GPSR Kontakt
gpsr@libri.de

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