An interdisciplinary study of the Impressionist/early Modernist works of Conrad and Ford, this book aims to show how the represented temporalities (whether to do with past, present, future experience within and without the novels, or logical/structural relations of 'before' and 'after') are at the core of the won effects of both authors' oeuvres. Looking at such well-known works as Nostromo, The Good Soldier, The Fifth Queen, Parade's End, the study makes use of philosophy (historical and contemporary), theology, psychoanalysis, and other sources, to re-describe, unlock and display the fertile ways in which time and historical experience are both manumitted within the tales analysed, and, recursively, within their reading experience. Ultimately, the two senses of 'making you see', from Conrad's iconic Preface, are used as gambits to understand the ways in which these novels are metaphysically vibrant, symbolically hopeful- as against the more common interpretation of metaphysical dissolution and (over-determined) failure.
"Sinopsis" puede pertenecer a otra edición de este libro.
An interdisciplinary study of the Impressionist/early Modernist works of Conrad and Ford, this book aims to show how the represented temporalities (whether to do with past, present, future experience within and without the novels, or logical/structural relations of 'before' and 'after') are at the core of the won effects of both authors' oeuvres. Looking at such well-known works as Nostromo, The Good Soldier, The Fifth Queen, Parade's End, the study makes use of philosophy (historical and contemporary), theology, psychoanalysis, and other sources, to re-describe, unlock and display the fertile ways in which time and historical experience are both manumitted within the tales analysed, and, recursively, within their reading experience. Ultimately, the two senses of 'making you see', from Conrad's iconic Preface, are used as gambits to understand the ways in which these novels are metaphysically vibrant, symbolically hopeful- as against the more common interpretation of metaphysical dissolution and (over-determined) failure.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Questo è un articolo print on demand. Nº de ref. del artículo: 0d4fd179d70681c1a6538e2ee4d565b2
Cantidad disponible: Más de 20 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 232 pages. 8.98x5.91x0.71 inches. In Stock. This item is printed on demand. Nº de ref. del artículo: __9042037822
Cantidad disponible: 1 disponibles
Librería: moluna, Greven, Alemania
Paperback. Condición: New. Nº de ref. del artículo: 5817230
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Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. Neuware - An interdisciplinary study of the Impressionist/early Modernist works of Conrad and Ford, this book aims to show how the represented temporalities (whether to do with past, present, future experience within and without the novels, or logical/structural relations of 'before' and 'after') are at the core of the won effects of both authors' oeuvres. Looking at such well-known works as Nostromo, The Good Soldier, The Fifth Queen, Parade's End, the study makes use of philosophy (historical and contemporary), theology, psychoanalysis, and other sources, to re-describe, unlock and display the fertile ways in which time and historical experience are both manumitted within the tales analysed, and, recursively, within their reading experience. Ultimately, the two senses of 'making you see', from Conrad's iconic Preface, are used as gambits to understand the ways in which these novels are metaphysically vibrant, symbolically hopeful- as against the more common interpretation of metaphysical dissolution and (over-determined) failure. Nº de ref. del artículo: 9789042037823
Cantidad disponible: 2 disponibles