." . . define[s], as demonstrated in the work gathered here, the shared reality of an experimental impulse with materials and forms that has proved incalculably influential." - The New York Times
-. . . define[s], as demonstrated in the work gathered here, the shared reality of an experimental impulse with materials and forms that has proved incalculably influential.- - The New York Times
Half theWorld traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice, tactility and the artist’s hand. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space. The catalogue begins in the immediate post-war era, with the first section spanning the late 1950s through the 1950s. Featuring historically important predecessors including Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, this section examines abstraction based on the human figure and the influence of the unconscious. The second section covers the decades of the 1960s and 1970s, and includes Magdalena Abakanowicz, Lynda Benglis, Heidi Bucher, Gego, François Grossen, Eva Hesse, Sheila Hicks, Marisa Merz, Mira Schendel, Michelle Stuart, Hannah Wilke, and Jackie Winsor, a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods. In the 1980s and 1990s, the period explored in the third section, artists Phyllida Barlow, Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Senga Nengudi, and Ursula von Rydingsvard moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design. The final section is comprised of post-2000 works by artists Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, and Jessica Stockholder, artists who create installation-based environments, embracing domestic materials and craft as an embedded discourse.
"Sobre este título" puede pertenecer a otra edición de este libro.
EUR 4,91 gastos de envío en Estados Unidos de America
Destinos, gastos y plazos de envíoEUR 3,84 gastos de envío en Estados Unidos de America
Destinos, gastos y plazos de envíoLibrería: JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, Estados Unidos de America
Hardcover. Condición: Very Good. 1st Edition. First Edition (2016.) Hardcover without dust jacket as issued. Folio with 256 pages. The book is in very good condition, very slight shelf wear. Interior is clean and tight. Profusely illustrated. Pictures available upon request. "Wonderful book on Womens contemporary sculpture. Pictures and text insightful and a good read." Tan spine/ White text. Size: Folio. Art / Abstract Sculpture. Nº de ref. del artículo: 034763
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. Nº de ref. del artículo: M8857230651Z4
Cantidad disponible: 1 disponibles
Librería: Nighttown Books, Powell, WY, Estados Unidos de America
Hard Cover. Condición: As New. First Edition. First Printing in illustrated boards, no remainder or other markings, very slight edge wear to boards, else Fine unread new copy; lg 4to; 256pp fully illus. Extra shipping charge REQUIRED for priority or overseas delivery of this heavy oversize book (extra charge SUBSTANTIAL for overseas shipment). Nº de ref. del artículo: 31300
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized. Nº de ref. del artículo: mon0000216755
Cantidad disponible: 1 disponibles
Librería: Toscana Books, AUSTIN, TX, Estados Unidos de America
Hardcover. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Nº de ref. del artículo: Scanned8857230651
Cantidad disponible: 1 disponibles
Librería: Enjoy the Book, Rancho Mirage, CA, Estados Unidos de America
Hardcover. Condición: As New. No Jacket. 1st Edition. The book is in near-new condition. There is a sticker on the opening page stating that the book was given as a gify by J.P. Morgan. The book represents the most comprehensive exhibition of post-war abstract sculpture by women artists to date. Divided into four sections, the book features approximately 30 artists and nearly 100 works in total. Nº de ref. del artículo: 141
Cantidad disponible: 1 disponibles
Librería: JuddSt.Pancras, London, Reino Unido
Hardcover. Condición: New. In original Publisher's shrinkwrap. Nº de ref. del artículo: g00342
Cantidad disponible: 1 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 224 pages. 13.00x9.25x1.00 inches. In Stock. Nº de ref. del artículo: 8857230651
Cantidad disponible: 1 disponibles
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover without dustjacket as issued, 256 pages, in English; very good condition; spine slightly slanted; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: ReScSk200
Cantidad disponible: 1 disponibles