Nel XIX secolo, la Senna, con le sue luci, le sue sponde, i pontili e i porti, è stata soggetto privilegiato per numerosi artisti. Furono soprattutto gli impressionisti e i loro emulatori, sempre attenti al momento contemporaneo, a farne il proprio soggetto privilegiato. Dall'alba al tramonto, Claude Monet, Alfred Sisley, Gustave Caillebotte e Armand Guillaumin non si stancarono mai di osservare il gioco di riflessi sulla superficie dell'acqua. La Senna non mancò di incantare Auguste Renoir, Camille Pissarro e Berthe Morisot. Con i suoi ponti di ferro, i suoi grandi porti, il dinamismo industriale, e le barche, i battelli, e i turisti nei loro vestiti bianchi, la Senna era allora il cuore della modernità. Una selezione di circa cinquanta opere traccia il cammino dell'evoluzione dell'Impressionismo, e ci porta in un viaggio lungo il fiume, da Parigi a Le Havre.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Throughout the nineteenth century, artists painted the Seine, its light, its banks, its bridges and its ports. Above all, however, it was the impressionists and their emulators, careful observers of modern life, who made it their favorite subject. From dawn to dusk, Claude Monet, Alfred Sisley, Gustave Caillebotte and Armand Guillaumin never grew weary of observing the play of reflections on the surface of the water. Often the Seine also enchanted Auguste Renoir, Camille Pissarro and Berthe Morisot.
Many artists lived or stayed regularly along the banks of the river, finding in it their main source of inspiration. For the landscape of the Seine was evolving under the combined effect of industrialization and the advent of leisure. With its iron bridges, its great ports, its industrial dynamism, and also its boats, its yachts and its strolling visitors in their white dresses, the Seine was the heart of modernity.
A selection of around fifty paintings traces the evolution of Impressionism and takes us on a journey along the river, from Paris to Le Havre, passing through Argenteuil, Vétheuil and Giverny.
Giverny, April - July, 2010
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Hardback. Condición: New. Throughout the nineteenth century, artists painted the Seine, its light, its banks, its bridges and its ports. Above all, however, it was the impressionists and their emulators, careful observers of modern life, who made it their favourite subject. From dawn to dusk, Claude Monet, Alfred Sisley, Gustave Caillebotte and Armand Guillaumin never grew weary of observing the play of reflections on the surface of the water. Often the Seine also enchanted Auguste Renoir, Camille Pissarro and Berthe Morisot. Nº de ref. del artículo: LU-9788836616206
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