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Aquaholism: édition anglaise (Sternberg Press) - Tapa blanda

Khalil, Joreige; Michael, Tedja

 
9783956791192: Aquaholism: édition anglaise (Sternberg Press)

Sinopsis

Les cinéastes et plasticiens libanais Joana Hadjithomas et Khalil Joreige poursuivent leurs recherches sur les modes de narration, l'écriture de l'histoire et les productions d'imaginaires en interrogeant ici emails indésirables, spams, scams et escroqueries sur internet en tous genres.

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Reseña del editor

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance­fee frauds and scam messages. The artists present material they have collected since 1999, focusing on the way that personal narratives are formed and articulated in a post­digital age. This work functions as a starting point for a broader discussion by leading scholars and thinkers on the nature of power and trust in the age of the Internet. Underlying this is an interrogation of faith: How has trust been recomposed by the Internet, and equally, how does the traditional practice of faith question the way that individuals relate to each other online?

Reseña del editor

Contributions by Nicholas Auray, Finn Brunton, Joana Hadjithomas & Khalil Joreige, Henriette Huldisch, Omar Kholeif, Norman M. Klein, Eric Mangion, Laura U. Marks, Franck Leibovici, Sarah Perks, Jacques Rancière, Uzma Rizvi, Rasha Salti ___________________ This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages. The artists present material they have collected since 1999, focusing on the way that personal narratives are formed and articulated in a post-digital age. This work functions as a starting point for a broader discussion by leading scholars and thinkers on the nature of power and trust in the age of the Internet. Underlying this is an interrogation of faith: How has trust been recomposed by the Internet, and equally, how does the traditional practice of faith question the way that individuals relate to each other online? ____________________ Copublished with Villa Arson, Nice; HOME, Manchester; and MIT List Visual Arts Center, Cambridge, MA

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