In a globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Contributors are, among others, Gabriele Brandstetter, Dieter Heitkamp, Royston Maldoom and Meg Stuart.
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Sabine Gehm, Kulturwissenschaftlerin, arbeitet als freie Kuratorin und ist künstlerische Leiterin des Festivals TANZ Bremen. Pirkko Husemann (Dr. phil.) promovierte am Institut für Theater-, Film- und Medienwissenschaft der Goethe-Universität in Frankfurt/Main. Sie ist Tanzkuratorin am Hebbel am Ufer in Berlin. Gemeinsam mit Sabine Gehm und Katharina von Wilcke kuratierte sie den Tanzkongress Deutschland 2006. Daraus hervorgegangen ist der Sammelband »Wissen in Bewegung. Perspektiven der künstlerischen und wissenschaftlichen Forschung im Tanz« (erschienen 2007 auf Deutsch und Englisch bei transcript). Katharina von Wilcke ist Literaturwissenschaftlerin und arbeitet als freie Kulturmanagerin und Kuratorin im Tanz- und Theaterbereich.
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Paperback. Condición: New. In a globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Contributors are, among others, Gabriele Brandstetter, Dieter Heitkamp, Royston Maldoom and Meg Stuart. Nº de ref. del artículo: LU-9783899428094
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Condición: New. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? This title describes the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Editor(s): Gehm, Sabine; Husemann, Pirkko; Von Wilcke, Katharina. Num Pages: 338 pages, black & white illustrations, colour illustrations. BIC Classification: ASD; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 225 x 150 x 24. Weight in Grams: 446. . 2007. Paperback. . . . . Nº de ref. del artículo: V9783899428094
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Condición: New. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? This title describes the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Editor(s): Gehm, Sabine; Husemann, Pirkko; Von Wilcke, Katharina. Num Pages: 338 pages, black & white illustrations, colour illustrations. BIC Classification: ASD; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 225 x 150 x 24. Weight in Grams: 446. . 2007. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9783899428094
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