A one-thing-at-a-time approach to studying improvisation, incorporating discipline, technique, creativity and musical intuition. Written musical examples, exercises and a sample daily practice schedule explain and demonstrate each topic.
"Sinopsis" puede pertenecer a otra edición de este libro.
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
"Sobre este título" puede pertenecer a otra edición de este libro.
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Destinos, gastos y plazos de envíoLibrería: Musikhaus Vollberg Inh.Folker Vollberg, Überlingen, Alemania
Softcover. Condición: Wie New. Unbenutztes Exemplar aus einem Messestand!!! - Leichte Lagerspuren -Versand aus Deutschland innerhalb von 24 Stunden. Rechnung mit ausgewiesener MwSt. Nº de ref. del artículo: 34194
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Condición: Nuevo. - Música. Nº de ref. del artículo: 9783892210313
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. 1991. Paperback. Dimension: 303 x 231 x 14. Weight in Grams: 752. . . . . . Nº de ref. del artículo: V9783892210313
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Condición: Nuevo. How to improvise. an approach to practicing improvisation editado por Alfred music. Nº de ref. del artículo: NOB0091172
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. Neuware -What exactly are the steps that lead to ability In which order should they been taken What will be required to master each one These are questions the author has explored in this book, resulting in a rather unique 'one-thing-at-a-time' approach to studying improvisation - one that incorporates discipline, technique, creativity and musical intuition. Each topic is explained and demonstrated using written musical examples and it is accompanied by suggested exercises and a sample daily practice schedule, which can be modified to fit your own needs or liking. The book has been used by the Performance Studies Department of the Berklee College of Music in Boston for teaching improvisation since September 1988.'This book brings significant new insight to the art of jazz improvisation and should be an important addition to jazz pedagogy. Hal's approach to improvisation is a refreshing alternative to the usual 'learn your scales and good luck' methods. This book adresses the elements of rhythm, meldody, and harmony in a manner that truly provides the student with a process and practice routine which enables the delvelopment of an improvisational technique so essential to the creative jazz musician.'Larry Monroe (Chairman, Professonal Performance Division, Berklee College of Music) 186 pp. Englisch. Nº de ref. del artículo: 9783892210313
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Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. Neuware -What exactly are the steps that lead to ability In which order should they been taken What will be required to master each one These are questions the author has explored in this book, resulting in a rather unique 'one-thing-at-a-time' approach to studying improvisation - one that incorporates discipline, technique, creativity and musical intuition. Each topic is explained and demonstrated using written musical examples and it is accompanied by suggested exercises and a sample daily practice schedule, which can be modified to fit your own needs or liking. The book has been used by the Performance Studies Department of the Berklee College of Music in Boston for teaching improvisation since September 1988.'This book brings significant new insight to the art of jazz improvisation and should be an important addition to jazz pedagogy. Hal's approach to improvisation is a refreshing alternative to the usual 'learn your scales and good luck' methods. This book adresses the elements of rhythm, meldody, and harmony in a manner that truly provides the student with a process and practice routine which enables the delvelopment of an improvisational technique so essential to the creative jazz musician.'Larry Monroe (Chairman, Professonal Performance Division, Berklee College of Music) 186 pp. Englisch. Nº de ref. del artículo: 9783892210313
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Librería: Wegmann1855, Zwiesel, Alemania
Taschenbuch. Condición: Neu. Neuware -What exactly are the steps that lead to ability In which order should they been taken What will be required to master each one These are questions the author has explored in this book, resulting in a rather unique 'one-thing-at-a-time' approach to studying improvisation - one that incorporates discipline, technique, creativity and musical intuition. Each topic is explained and demonstrated using written musical examples and it is accompanied by suggested exercises and a sample daily practice schedule, which can be modified to fit your own needs or liking. The book has been used by the Performance Studies Department of the Berklee College of Music in Boston for teaching improvisation since September 1988.'This book brings significant new insight to the art of jazz improvisation and should be an important addition to jazz pedagogy. Hal's approach to improvisation is a refreshing alternative to the usual 'learn your scales and good luck' methods. This book adresses the elements of rhythm, meldody, and harmony in a manner that truly provides the student with a process and practice routine which enables the delvelopment of an improvisational technique so essential to the creative jazz musician.' Larry Monroe (Chairman, Professonal Performance Division, Berklee College of Music). Nº de ref. del artículo: 9783892210313
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Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. Neuware - What exactly are the steps that lead to ability In which order should they been taken What will be required to master each one These are questions the author has explored in this book, resulting in a rather unique 'one-thing-at-a-time' approach to studying improvisation - one that incorporates discipline, technique, creativity and musical intuition. Each topic is explained and demonstrated using written musical examples and it is accompanied by suggested exercises and a sample daily practice schedule, which can be modified to fit your own needs or liking. The book has been used by the Performance Studies Department of the Berklee College of Music in Boston for teaching improvisation since September 1988.'This book brings significant new insight to the art of jazz improvisation and should be an important addition to jazz pedagogy. Hal's approach to improvisation is a refreshing alternative to the usual 'learn your scales and good luck' methods. This book adresses the elements of rhythm, meldody, and harmony in a manner that truly provides the student with a process and practice routine which enables the delvelopment of an improvisational technique so essential to the creative jazz musician.'Larry Monroe (Chairman, Professonal Performance Division, Berklee College of Music). Nº de ref. del artículo: 9783892210313
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. 1991. Paperback. Dimension: 303 x 231 x 14. Weight in Grams: 752. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9783892210313
Cantidad disponible: 13 disponibles