Distance and Desire – accompanying the same-titled exhibition in Neu-Ulm – is the first major publication to stage a dialogue between the ethnographic visions of late nineteenth and early-twentieth century African photography and engagements with this imagery by contemporary artists. Presenting an extraordinary range of portraits, albums, postcards, cartes de visite, and books from Southern Africa, as well as recent photography and video art from The Walther Collection, the catalogue includes original thematic essays by leading art historians, anthropologists, and cultural critics. Distance and Desire offers new perspectives on the African archive, reimagining its diverse histories and changing meanings. Distance and Desire investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios, critically addressing the politics of colonialism and the complex issues of gender and identity. Among many diverse topics, the catalogue examines in-depth a series of cartes de visite from the Diamond Fields in Kimberley, the figure of the Zulu, the history of South Africa’s prominent studio photographers, A.M. Duggan-Cronin’s extensive ethnographic study The Bantu Tribes of South Africa, and the archive of elegant family portraits reproduced by the contemporary artist Santu Mofokeng in The Black Photo Album / Look at Me: 1890-1950. The catalogue also reveals how the heritage of African imagery figures in the practices of contemporary African and African American artists, whose compelling photography and video art reworks the archive through satire or appropriation.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: ead48744e631b6adb1d72f0f54b9a260
Cantidad disponible: 5 disponibles
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 352. Nº de ref. del artículo: 53990113
Cantidad disponible: 3 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. Offers fresh perspectives on the African archive, reimagining its diverse histories and changing meanings. This title investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios. Num Pages: 352 pages. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 323 x 249 x 33. Weight in Grams: 1970. . 2013. Hardcover. . . . . Nº de ref. del artículo: V9783869306513
Cantidad disponible: 1 disponibles
Librería: Biblios, Frankfurt am main, HESSE, Alemania
Condición: New. pp. 352. Nº de ref. del artículo: 1854553908
Cantidad disponible: 3 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 01 edition. 352 pages. 12.50x9.75x1.30 inches. In Stock. Nº de ref. del artículo: __3869306513
Cantidad disponible: 1 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. Offers fresh perspectives on the African archive, reimagining its diverse histories and changing meanings. This title investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios. Num Pages: 352 pages. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 323 x 249 x 33. Weight in Grams: 1970. . 2013. Hardcover. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9783869306513
Cantidad disponible: 1 disponibles
Librería: Studio Bibliografico Marini, ROMA, RM, Italia
hardcover. Condición: Perfetto (Mint). Prima edizione (First Edition). Testi di Awam Amkpa, Jennifer Bajorek, Cheryl Finley, Erin Haney, Gabi Ngcobo, Carla Williams, Deborah Willis et al. 215 fotografie a colori e in bianco e nero di Carrie Mae Weems, Lawrence Brothers, Sammy Baloji, David Goldblatt, Pieter Hugo, Jodi Bieber, Zanele Muholi, Sabelo Mlangeni, Guy Tillim, Jo Ractliffe, Sue Williamson, Berni Searle, et al. Biografie degli autori . Cm 32,5x24,5. pp. 352. . Perfetto (Mint). . Prima edizione (First Edition). . Distance and Desire - che accompagna la mostra omonima a Neu-Ulm - è la prima grande pubblicazione a mettere in scena un dialogo tra le visioni etnografiche della fotografia africana della fine del XIX e dell'inizio del XX secolo e l'impegno con questo immaginario da parte di artisti contemporanei.Distance and Desire indaga le rappresentazioni tipiche dei soggetti africani, dalle scene nella natura alle immagini romantiche di modelli seminudi, fino ai moderni ritratti in posa in studio, affrontando criticamente la politica del colonialismo e le complesse questioni di genere e identità. Tra i tanti argomenti, il catalogo approfondisce una serie di cartes de visite provenienti dai campi di diamanti di Kimberley, la figura degli Zulu, la storia dei principali fotografi di studio del Sudafrica, l'ampio studio etnografico di A.M. Duggan-Cronin The Bantu Tribes of South Africa e l'archivio di eleganti ritratti di famiglia riprodotti dall'artista contemporaneo SantuMofokeng in The Black Photo Album / Look at Me: 1890-1950.Il catalogo rivela anche come l'eredità dell'immaginario africano sia presente nelle pratiche di artisti contemporanei africani e afroamericani, la cui avvincente fotografia e video arte rielabora l'archivio attraverso la satira o l'appropriazione. Book. Nº de ref. del artículo: bc_228910
Cantidad disponible: 1 disponibles
Librería: moluna, Greven, Alemania
Condición: New. Offers fresh perspectives on the African archive, reimagining its diverse histories and changing meanings. This title investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitt. Nº de ref. del artículo: 5609794
Cantidad disponible: 1 disponibles
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Buch. Condición: Neu. Neuware - Distance and Desire - accompanying the same-titled exhibition in Neu-Ulm - is the first major publication to stage a dialogue between the ethnographic visions of late nineteenth and early-twentieth century African photography and engagements with this imagery by contemporary artists. Presenting an extraordinary range of portraits, albums, postcards, cartes de visite, and books from Southern Africa, as well as recent photography and video art from The Walther Collection, the catalogue includes original thematic essays by leading art historians, anthropologists, and cultural critics.Distance and Desire offers new perspectives on the African archive, reimagining its diverse histories and changing meanings.Distance and Desire investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios, critically addressing the politics of colonialism and the complex issues of gender and identity. Among many diverse topics, the catalogue examines in-depth a series of cartes de visite from the Diamond Fields in Kimberley, the figure of the Zulu, the history of South Africa's prominent studio photographers, A.M. Duggan-Cronin's extensive ethnographic study The Bantu Tribes of South Africa, and the archive of elegant family portraits reproduced by the contemporary artist Santu Mofokeng in The Black Photo Album / Look at Me: 1890-1950. The catalogue also reveals how the heritage of African imagery figures in the practices of contemporary African and African American artists, whose compelling photography and video art reworks the archive through satire or appropriation. Nº de ref. del artículo: 9783869306513
Cantidad disponible: 1 disponibles