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Sinopsis
Both pathos and distance play a role in the work of Andreas Mühe. In an effort to emphasize the inevitable interaction of these two concepts, the artist chose to link the »Pathos« and »Distance« in the title of this book with the conjunction »as.« Pathos as Distance. Not in the sense of a comparison, as in »as tasty as an apple,« but rather as a transformation of one concept into the other and their mutual dependency. Pathos becomes distance, and this distance becomes a precondition that allows for pathos. Mühe’s themes are often ambiguous, already emotional, and charged by their respective historical context: Christmas trees, chancellors, the chalk cliffs on Rügen, the Obersalzberg.
Andreas Mühe comes from a theatrical family and had also danced a bit on the Berlin Wall when it came down. It is to this upheaval that he owes the fact that he grew up with contrasts, thinks in terms of contradictions, and fed on a hint of dialectics as a substitute for mother’s milk. It is here that he sees the origins of his capability to constantly change perspective and transform pathos into distance. The photographs by Andreas Mühe are accompanied by excerpts from the novel 1913 – The Year before the Storm by Florian Illies.
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Acerca del autor
Andreas Mu¨he (b. 1979, Karl-Marx-Stadt) came to photography through an apprenticeship as a photo laboratory technician, after which he worked as an assistant to Ali Kepenek and Anatol Kotte. Mu¨he has worked as a freelance photographer and has published his portraits of actors, musicians, and artists in a wide variety of magazines and newspapers. An early supporter is F.C. Gundlach, who describes his work as being of extraordinary consequence. Since 2010, Mu¨he has exhibited his works in solo and group exhibitions at museums including the Kunsthalle Rostock, the NRW Forum in Du¨sseldorf, the Martin-Gropius-Bau in Berlin, the Benaki Museum in Athens, and the House of Photography at the Deichtorhallen Hamburg.
De la contraportada
Both pathos and distance play a role in the work of Andreas Mühe. In an effort to emphasize the inevitable interaction of these two concepts, the artist chose to link the »Pathos« and »Distance« in the title of this book with the conjunction »as.« Pathos as Distance. Not in the sense of a comparison, as in »as tasty as an apple,« but rather as a transformation of one concept into the other and their mutual dependency. Pathos becomes distance, and this distance becomes a precondition that allows for pathos. Mühe’s themes are often ambiguous, already emotional, and charged by their respective historical context: Christmas trees, chancellors, the chalk cliffs on Rügen, the Obersalzberg.
Andreas Mühe comes from a theatrical family and had also danced a bit on the Berlin Wall when it came down. It is to this upheaval that he owes the fact that he grew up with contrasts, thinks in terms of contradictions, and fed on a hint of dialectics as a substitute for mother’s milk. It is here that he sees the origins of his capability to constantly change perspective and transform pathos into distance. The photographs by Andreas Mühe are accompanied by excerpts from the novel 1913 – The Year before the Storm by Florian Illies.
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Pathos as distance
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Kehrer Verlag, 2017
ISBN 10: 3868288325
ISBN 13: 9783868288322
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Hardcover. Condición: As New. Both pathos and distance play a role in the work of Andreas Muhe. Pathos becomes distance, and this distance becomes a precondition that allows for pathos. Muhe's themes are often ambiguous, already emotional, and charged by their respective historical context: Christmas trees, chancellors, the chalk cliffs on Rugen, the Obersalzberg. The photographs by Andreas Muhe are accompanied by excerpts from the novel 1913 The Year before the Storm, by Florian Illies. Nº de ref. del artículo: defcbc87-fdff-48be-a41c-9a2c63ed5fac
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