Sinopsis
Like many of her colleagues, Inge Morath carried one camera loaded with black-and-white film and another loaded with color. Possibly influenced by the legendary hostility of Henri Cartier-Bresson (her mentor) to color photography, Morath's own ambivalence is reflected in the contradiction between the sheer volume of color film that she exposed during her lifetime and its complete absence from her exhibited and published works. Following Morath's death in 2002, more than 10,000 hitherto unknown and uncataloged color originals were recovered from storage in Paris, where Morath had been based from 1954 until 1962. As this volume demonstrates, Morath's color vision matured around 1958, while documenting the Danube River; by the late 1960s and during the 1970s, when she worked extensively in Russia and China, Morath's color production would at times exceed her work in black and white, and several projects done late in her life were made exclusively in color.
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Reseña del editor
Like many of her colleagues, Inge Morath carried one camera loaded with black-and-white film and another loaded with color. Possibly influenced by the legendary hostility of Henri Cartier-Bresson (her mentor) to color photography, Morath's own ambivalence is reflected in the contradiction between the sheer volume of color film that she exposed during her lifetime and its complete absence from her exhibited and published works. Following Morath's death in 2002, more than 10,000 hitherto unknown and uncataloged color originals were recovered from storage in Paris, where Morath had been based from 1954 until 1962. As this volume demonstrates, Morath's color vision matured around 1958, while documenting the Danube River; by the late 1960s and during the 1970s, when she worked extensively in Russia and China, Morath's color production would at times exceed her work in black and white, and several projects done late in her life were made exclusively in color.
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Inge Morath. First Color
Publicado por
New York - Gottingen, MAGNUM - Steidl,, New York - Gottingen, 2009
ISBN 10: 3865219306
ISBN 13: 9783865219305
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Librería: Studio Bibliografico Marini, ROMA, RM, Italia
Calificación del vendedor: 4 de 5 estrellas
hardcover. Condición: As New. Prima edizione (First Edition). Un testo di Mary Panzer. Fotografie a colori di Inge Morath. Postfazione di John P. Jacob . Cm 24,5x20. pp. 204. . Perfetto (Mint). . Prima edizione (First Edition). . Inge Morath fu senza dubbio influenzata dalla leggendaria ostilità del suo collega Henri Cartier-Bresson per la fotografia a colori. L'ambivalenza della Morath stessa si riflette nella contraddizione tra la grande quantità di pellicole a colori stampate e la loro assenza dalle sue opere esposte e pubblicate. La sua visione del colore, già forte nelle fotografie degli accampamenti dei zigani in Irlanda nel 1954, maturò alla fine degli anni '50, durante la sua documentazione del Medio Oriente, nel 1956, e della Romania, dove lavorò nel 1958. Dagli anni '60 in poi, Morath impiegò il colore come elemento centrale nelle sue narrazioni documentarie. Colmando una significativa lacuna nel suo lavoro precedentemente pubblicato, First Color è un esame del primo decennio di lavoro a colori di Morath, ed è tratto in gran parte da materiale postumo. Book. Nº de ref. del artículo: bc_226711
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EUR 100,00
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Inge Morath: First Color
Publicado por
Steidl & Partners, 2010
ISBN 10: 3865219306
ISBN 13: 9783865219305
Antiguo o usado
Tapa dura
Librería: Mispah books, Redhill, SURRE, Reino Unido
Calificación del vendedor: 4 de 5 estrellas
Hardcover. Condición: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. Nº de ref. del artículo: ERICA82938652193064
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EUR 215,45
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