Until very recently, the young Dutch architect Anne Holtrop had only built a few small pavilions and various installations between art and architecture. Outside of conventional architectural circuit, and more related to the art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. However, the work of Holtrop took a leap of scale with two projects finished in 2015: the Museum Fort Vechten in Bunnik (near Utrecht, The Netherlands) and the National Pavilion of the Kingdom of Bahrain for the Milan Universal Exhibition of 2015. The former, a museum built within the enclosure of the New Hollandic Water Line fortifications, dug into the ground to create dark concrete walled galleries opening onto a courtyard artificial. The second, the National Pavilion of Bahrain is enclosed by a tall concrete wall that contains an interior maze of galleries, corridors and gardens.
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Valerio Olgiati is an internationally active Swiss architect. Giovanna Borasi is Chief Curator of the Canadian Centre for Architecture (CCA) in Montreal. Maaike Lauwaert is editor at Metropolis M, a bimonthly magazine on contemporary art and works as a freelance curator.
Anne Holtrop (1977) graduated in 2005 from the Academie van Bouwkunst in Amsterdam with a cum laude degree in architecture and in 2009 started his own studio. Today his office is based in Muharraq (Bahrain) and Amsterdam (The Netherlands). His work ranges from models to temporary spaces and buildings. Until very recently, he had only built a few small pavilions and various installations between art and architecture. Outside of the conventional architectural circuit, and more related to art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. In 2015 he completed his first two major buildings, Museum Fort Vechten and the National Pavilion of the Kingdom of Bahrain. He was course director of the Studio for Immediate Spaces master at the Sandberg Instituut Amsterdam from 2012 to 2016, and was editor of the architectural journal Oase from 2005 to 2013. For his practice he has been awarded several grants from the Mondrian Fund, as well as receiving the Charlotte Kohler Prize for Architecture from the Prins Bernhard Cultuurfonds in 2007.
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Soft cover. Condición: Near Fine. 1st Edition. Original stiff wrappers (softcover), 160 pages : illustrations, plans (chiefly color) ; 31 cm. Very good/fine, minimal shelf-wear. Until recently, the young Dutch architect Anne Holtrop had only built a few small pavilions and various installations between art and architecture. Outside of conventional architectural circuit, and more related to the art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. However, the work of Holtrop took a leap of scale with two projects finished in 2015: the Museum Fort Vechten in Bunnik (near Utrecht, The Netherlands) and the National Pavilion of the Kingdom of Bahrain for the Milan Universal Exhibition of 2015. The former, a museum built within the enclosure of the New Hollandic Water Line fortifications, dug into the ground to create dark concrete walled galleries opening onto a courtyard artificial. The second, the National Pavilion of Bahrain is enclosed by a tall concrete wall that contains an interior maze of galleries, corridors and gardens. Nº de ref. del artículo: JHJ_2024_06_29_2
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