Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to extract, almost unconsciously, a great amount of relevant information from a musical signal (e.g. the beat and main melody of a musical piece, or the sound sources playing in a complex musical arrangement). In order to do so, the human auditory system uses a variety of cues for perceptual grouping such as similarity, proximity, harmonicity, common fate, among others. This book proposes a flexible and extensible Computational Auditory Scene Analysis (CASA) framework for modeling perceptual grouping in music listening. Implemented using the open source sound processing framework Marsyas, this work should be specially interesting to researchers in Music Information Retrieval (MIR) and CASA fields, or anyone developing software to perform automatic analysis and processing of sound and music signals.
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Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to extract, almost unconsciously, a great amount of relevant information from a musical signal (e.g. the beat and main melody of a musical piece, or the sound sources playing in a complex musical arrangement). In order to do so, the human auditory system uses a variety of cues for perceptual grouping such as similarity, proximity, harmonicity, common fate, among others. This book proposes a flexible and extensible Computational Auditory Scene Analysis (CASA) framework for modeling perceptual grouping in music listening. Implemented using the open source sound processing framework Marsyas, this work should be specially interesting to researchers in Music Information Retrieval (MIR) and CASA fields, or anyone developing software to perform automatic analysis and processing of sound and music signals.
Luis Gustavo Martins (1974, Portugal) is a full time professor and researcher at the Portuguese Catholic University/CITAR, Porto, Portugal. He holds a PhD in Electrical and Computer Engineering from the University of Porto. His research is mostly on Audio Content Analysis, being actively involved in the Marsyas open source software framework.
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to extract, almost unconsciously, a great amount of relevant information from a musical signal (e.g. the beat and main melody of a musical piece, or the sound sources playing in a complex musical arrangement). In order to do so, the human auditory system uses a variety of cues for perceptual grouping such as similarity, proximity, harmonicity, common fate, among others. This book proposes a flexible and extensible Computational Auditory Scene Analysis (CASA) framework for modeling perceptual grouping in music listening. Implemented using the open source sound processing framework Marsyas, this work should be specially interesting to researchers in Music Information Retrieval (MIR) and CASA fields, or anyone developing software to perform automatic analysis and processing of sound and music signals. 248 pp. Englisch. Nº de ref. del artículo: 9783838320915
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind. Nº de ref. del artículo: 5412756
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Librería: preigu, Osnabrück, Alemania
Taschenbuch. Condición: Neu. A Computational Framework for Sound Segregation in Music Signals | An Auditory Scene Analysis Approach for Modeling Perceptual Grouping in Music Listening | Luís Gustavo Martins | Taschenbuch | 248 S. | Englisch | 2009 | LAP LAMBERT Academic Publishing | EAN 9783838320915 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. Nº de ref. del artículo: 101429936
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to extract, almost unconsciously, a great amount of relevant information from a musical signal (e.g. the beat and main melody of a musical piece, or the sound sources playing in a complex musical arrangement). In order to do so, the human auditory system uses a variety of cues for perceptual grouping such as similarity, proximity, harmonicity, common fate, among others. This book proposes a flexible and extensible Computational Auditory Scene Analysis (CASA) framework for modeling perceptual grouping in music listening. Implemented using the open source sound processing framework Marsyas, this work should be specially interesting to researchers in Music Information Retrieval (MIR) and CASA fields, or anyone developing software to perform automatic analysis and processing of sound and music signals.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 248 pp. Englisch. Nº de ref. del artículo: 9783838320915
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to extract, almost unconsciously, a great amount of relevant information from a musical signal (e.g. the beat and main melody of a musical piece, or the sound sources playing in a complex musical arrangement). In order to do so, the human auditory system uses a variety of cues for perceptual grouping such as similarity, proximity, harmonicity, common fate, among others. This book proposes a flexible and extensible Computational Auditory Scene Analysis (CASA) framework for modeling perceptual grouping in music listening. Implemented using the open source sound processing framework Marsyas, this work should be specially interesting to researchers in Music Information Retrieval (MIR) and CASA fields, or anyone developing software to perform automatic analysis and processing of sound and music signals. Nº de ref. del artículo: 9783838320915
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