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Sinopsis
This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. In an age where anyone with a camera can call him- or herself a photographer, an apparent lack of technique might be mistaken for a lack of artistic sophistication. In this delightful follow-up to Why Your Five-Year-Old Could Not Have Done That, Jackie Higgins offers superb examples to counter that assumption, such as Hiroshi Sugimoto's anachronistic use of a 19th-century large-format camera to produce intentionally fuzzy pictures, and Richard Prince's controversial technique of "re-photographing" photos, which unleashed a barrage of criticism that he was profiting from others' work. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.
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Reseña del editor
This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. In an age where anyone with a camera can call him- or herself a photographer, an apparent lack of technique might be mistaken for a lack of artistic sophistication. In this delightful follow-up to Why Your Five-Year-Old Could Not Have Done That, Jackie Higgins offers superb examples to counter that assumption, such as Hiroshi Sugimoto's anachronistic use of a 19th-century large-format camera to produce intentionally fuzzy pictures, and Richard Prince's controversial technique of "re-photographing" photos, which unleashed a barrage of criticism that he was profiting from others' work. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.
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Why It Does Not Have to Be in Focus: Modern Photography Explained
Publicado por
Prestel Publishing, 2013
ISBN 10: 3791348515
ISBN 13: 9783791348513
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: Very Good. This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. In an age where anyone with a camera can call him- or herself a photographer, an apparent lack of technique might be mistaken for a lack of artistic sophistication. In this delightful follow-up to Why Your Five-Year-Old Could Not Have Done That, Jackie Higgins offers superb examples to counter that assumption, such as Hiroshi Sugimoto's anachronistic use of a 19th-century large-format camera to produce intentionally fuzzy pictures, and Richard Prince's controversial technique of re-photographing photos, which unleashed a barrage of criticism that he was profiting from others' work. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph. Nº de ref. del artículo: 00104579515
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Why It Does Not Have to be In Focus: Modern Photography Explained
Librería: Vive Liber Books, Somers, CT, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Condición: good. Good condition USED book. Pages are clean with normal wear. May have limited markings inside from previous owner. Nº de ref. del artículo: VLM.1EPT
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Why It Does Not Have to be In Focus: Modern Photography Explained
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Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G3791348515I4N00
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Why It Does Not Have to be In Focus: Modern Photography Explained
Publicado por
Prestel (edition First Edition), 2013
ISBN 10: 3791348515
ISBN 13: 9783791348513
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Librería: BooksRun, Philadelphia, PA, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Nº de ref. del artículo: 3791348515-11-1-29
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Why It Does Not Have to Be in Focus: Modern Photography Explained
Publicado por
Prestel Publishing, 2013
ISBN 10: 3791348515
ISBN 13: 9783791348513
Antiguo o usado
Paperback
Librería: World of Books Inc, Montgomery, IL, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Paperback. Condición: Very Good. This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. In an age where anyone with a camera can call him- or herself a photographer, an apparent lack of technique might be mistaken for a lack of artistic sophistication. In this delightful follow-up to Why Your Five-Year-Old Could Not Have Done That, Jackie Higgins offers superb examples to counter that assumption, such as Hiroshi Sugimoto's anachronistic use of a 19th-century large-format camera to produce intentionally fuzzy pictures, and Richard Prince's controversial technique of re-photographing photos, which unleashed a barrage of criticism that he was profiting from others' work. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph. Nº de ref. del artículo: CIN3791348515VG
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Why It Does Not Have to be In Focus: Modern Photography Explained
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Nº de ref. del artículo: M3791348515Z3
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Why It Does Not Have to be In Focus: Modern Photography Explained
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized. Nº de ref. del artículo: M3791348515Z4
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Why It Does Not Have to be In Focus: Modern Photography Explained
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Paperback. Condición: Good. Nº de ref. del artículo: mon0004176101
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Why It Does Not Have to be In Focus: Modern Photography Explained
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Condición: New. New- Great shape. paperback New 2013. Nº de ref. del artículo: FL-002893
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Why It Does Not Have to be In Focus: Modern Photography Explained
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