At the end of the 19th century the term “Secession” stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
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Ralph Gleis is the director of the Alte Nationalgalerie Berlin and curator of numerous exhibitions on the art of the 19th and early 20th century.
Ursula Storch is the deputy director of the Wien Museum in Vienna and curator of numerous exhibitions on the art and cultural history of Vienna in the 19th and 20th century.
The Secessions artist groups at the dawn of modernism in a splendid new volume.
At the end of the 19th century the term “Secession” stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
The new alliances
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