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Marcel Duchamp Tu m' - Puzzle upon Puzzle /anglais: Riddles Galore - Tapa dura

Gerstner, Karl

 
9783775791274: Marcel Duchamp Tu m' - Puzzle upon Puzzle /anglais: Riddles Galore

Sinopsis

That it was Duchamp who precipitated the Copernican turn-around in art is an opinion long shared, and not only by insiders. The oeuvre Duchamp left us is exceedingly small, but hardly any of his works did not have to undergo multiple interpretations of an art historic, psychological, socio-critical or alchemist kind. Yet Duchamp's last work "in oil and vinegar", "Tu m'" from 1918, has never drawn extensive attention among his exegetes. Already the title poses a riddle: Does it mean "Tu m'aimes" (you love me) or, as most frequently guessed, "Tu m'emb tes" (you bore me), or, more poignantly even, "Tu m'emmerdes" (kiss my ass)? Karl Gerstner, one of the prominent Swiss graphic designers who knew Duchamp personally, was first taken aback by the work - but also fascinated at the same time. He then proceeded to get a picture of the picture himself in order to satisfy his curiosity. And the more deeply he penetrated into the matter the more his surprise abated and his fascination grew. This book has 20 analytical essays on the work.

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Reseña del editor

The oeuvre Duchamp left us is small and repeatedly subject to multiple interpretations of the art historical, psychological, socio-critical and alchemical persuasion. And yet, how odd: Duchamp's last painting, Tu m' from 1918, has never drawn extensive attention among his exegetes. The title itself poses a riddle: Does it mean "tu m'aimes" (you love me), "tu m'emb'tes" (you bore me) or "tu m'emmerdes" (you can kiss my ass)? Karl Gerstner, a prominent Swiss graphic designer who knew Duchamp personally, was taken aback the first time he saw Tu m', but also intrigued. Having acquired a reproduction of the picture, Gerstner proceeded to penetrate its meanings and surfaces more and more deeply; as his surprise faded, his fascination grew. Enter this book, encouraged by artist Richard Hamilton (perhaps the most intimate of Duchamp connoisseurs), and its 20 analytical essays of riddle-solving.

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