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In the Name of the Image: Figurative Representation in Islamic and Christian Cultures - Tapa blanda

 
9783775747332: In the Name of the Image: Figurative Representation in Islamic and Christian Cultures

Sinopsis

Images are the cornerstone of culture. At a single glance, a society’s understanding of itself is crystallized in them; they are the agents of a common perspective, as well as witnesses to it. At the same time, there is a whiff of ideology and distorted perception about them. In between the two poles of the crucifi x and the gold calf, there is a field of tension where Christianity and Islam dwell. The histories of both religions fluctuate between the extremes of idolatry and iconoclasm. Sometimes they lean in one direction, and sometimes in the other, while at other times they seek a conciliatory balance. Outside of theological debates, this opens up an area full of aesthetic distinctions and approaches. This exhibition catalogue offers a richly illustrated, thoroughly informative look at these unusual histories of art and their currency in the world today.

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Acerca del autor

Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.

De la contraportada

Images are the cornerstone of culture. At a single glance, a society’s understanding of itself is crystallized in them; they are the agents of a common perspective, as well as witnesses to it. At the same time, there is a whiff of ideology and distorted perception about them. In between the two poles of the crucifi x and the gold calf, there is a field of tension where Christianity and Islam dwell. The histories of both religions fluctuate between the extremes of idolatry and iconoclasm. Sometimes they lean in one direction, and sometimes in the other, while at other times they seek a conciliatory balance. Outside of theological debates, this opens up an area full of aesthetic distinctions and approaches. This exhibition catalogue offers a richly illustrated, thoroughly informative look at these unusual histories of art and their currency in the world today.

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