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Albert Oehlen: Grau - Tapa dura

 
9783775744270: Albert Oehlen: Grau

Sinopsis

Albert Oehlen (*1954 in Krefeld, Germany), a student of Sigmar Polke and close friend of Martin Kippenberger, is known to be a provocateur for challenging the boundaries of painting and embracing a remarkably wide range of styles. The publication Grau is an intimate examination of his series of grey paintings created between 1997 and 2008. Oscillating between figuration and abstraction, the paintings defy conventional categorization. Amid muddy nebulas and amorphic brushstrokes, mysterious depictions of figures, objects, environments, and landscapes emerge. In opposition to other series where Oehlen also used digital tools, the grisailles are strictly made by hand without the distraction of color ―an unmistakable nod to fellow German artist Gerhard Richter. The richly illustrated publication also contains an original text by writer and poet Raphael Rubinstein and an interview with artist Albert Oehlen himself.

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Acerca del autor

Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.

De la contraportada

Albert Oehlen (*1954 in Krefeld, Germany), a student of Sigmar Polke and close friend of Martin Kippenberger, is known to be a provocateur for challenging the boundaries of painting and embracing a remarkably wide range of styles. The publication Grau is an intimate examination of his series of grey paintings created between 1997 and 2008. Oscillating between figuration and abstraction, the paintings defy conventional categorization. Amid muddy nebulas and amorphic brushstrokes, mysterious depictions of figures, objects, environments, and landscapes emerge. In opposition to other series where Oehlen also used digital tools, the grisailles are strictly made by hand without the distraction of color ―an unmistakable nod to fellow German artist Gerhard Richter. The richly illustrated publication also contains an original text by writer and poet Raphael Rubinstein and an interview with artist Albert Oehlen himself.

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