While researching his essay for the dOCUMENTA (13), the artist Clemens von Wedemeyer (*1974) ran across a screenplay by director Eberhard Itzenplatz, complete with handwritten notes and drawings, at the Berlin Akademie der Künste; it was the basis for the screenplay by Ulrike Meinhof, Bambule. Fürsorge – Sorge für wen? (Bambule: Care – Care for Whom?) The television broadcast, planned for 1970, was canceled, because the journalist and later co-founder of the RAF had disappeared into the terrorist underground ten days before. In Wedemeyer’s eyes, the screenplay is film material that reflects the work environment, the production process, and (self) limitations, and in this specific case, the fact that it is a kind of time capsule. When the film was broadcast twenty-four years later, the social landscape had already been fundamentally transformed. The screenplay closes the gap in time and is a testimony to the discussions held among the participants. In an afterword, the publicist Bettina Röhl (*1962), daughter of Ulrike Meinhof, sheds some light on the motivation for the orphanage campaign as a political program.. NOTA: El libro no está en español, sino en inglés.
"Sinopsis" puede pertenecer a otra edición de este libro.
While researching his essay for the dOCUMENTA (13), the artist Clemens von Wedemeyer (*1974) ran across a screenplay by director Eberhard Itzenplatz, complete with handwritten notes and drawings, at the Berlin Akademie der Künste; it was the basis for the screenplay by Ulrike Meinhof, Bambule. Fürsorge – Sorge für wen? (Bambule: Care – Care for Whom?) The television broadcast, planned for 1970, was canceled, because the journalist and later co-founder of the RAF had disappeared into the terrorist underground ten days before. In Wedemeyer’s eyes, the screenplay is film material that reflects the work environment, the production process, and (self) limitations, and in this specific case, the fact that it is a kind of time capsule. When the film was broadcast twenty-four years later, the social landscape had already been fundamentally transformed. The screenplay closes the gap in time and is a testimony to the discussions held among the participants. In an afterword, the publicist Bettina Röhl (*1962), daughter of Ulrike Meinhof, sheds some light on the motivation for the orphanage campaign as a political program.. NOTA: El libro no está en español, sino en inglés.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Sell Books, Elland, YORKS, Reino Unido
paperback. Condición: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. Nº de ref. del artículo: mon0000021251
Cantidad disponible: 1 disponibles
Librería: BWS BKS, Ferndale, NY, Estados Unidos de America
Paperback. Condición: New. Nº de ref. del artículo: 101996
Cantidad disponible: 2 disponibles