Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and shape – and the economic use of color and fonts. The thoroughly revised edition of the 1965 design ma-nual classic is still setting standards. Especially in times of the re-turn to clear and minimalistic geomet-ric forms and patterns, his rich body of work serves as a perfect starting point for contemporary design practices. Elements of image and form are ana-lyzed and examined with regard to their inherent laws. To correspond to the contemporary design techniques, this new edition is divided into computer-system-friendly sections. Thus adapting Hofmann’s methods to the requirement of modern design practices and serv-ing as a valuable handbook for a new generation of designers
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and shape – and the economic use of color and fonts. The thoroughly revised edition of the 1965 design ma-nual classic is still setting standards. Especially in times of the re-turn to clear and minimalistic geomet-ric forms and patterns, his rich body of work serves as a perfect starting point for contemporary design practices. Elements of image and form are ana-lyzed and examined with regard to their inherent laws. To correspond to the contemporary design techniques, this new edition is divided into computer-system-friendly sections. Thus adapting Hofmann’s methods to the requirement of modern design practices and serv-ing as a valuable handbook for a new generation of designers
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Hardcover. Condición: new. Hardcover. Armin Hofmann's richly varied work is recognized for its reliance on the fundamental elements of graphic form - point, line, and shape - and the economic use of color and fonts. The thoroughly revised edition of the 1965 design ma-nual classic is still setting standards. Especially in times of the re-turn to clear and minimalistic geomet-ric forms and patterns, his rich body of work serves as a perfect starting point for contemporary design practices. Elements of image and form are ana-lyzed and examined with regard to their inherent laws. To correspond to the contemporary design techniques, this new edition is divided into computer-system-friendly sections. Thus adapting Hofmann's methods to the requirement of modern design practices and serv-ing as a valuable handbook for a new generation of designers Hofmann is a timeless pioneer of graphic form with an economic use of color and fonts, whose work remains relevant to contemporary minimalistic design work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9783721210064
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