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Sinopsis
Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either.
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Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either. 84 pp. Englisch. Nº de ref. del artículo: 9783659624155
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either.Books on Demand GmbH, Überseering 33, 22297 Hamburg 84 pp. Englisch. Nº de ref. del artículo: 9783659624155
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Hip-Hop: Lessons From The Frontline : The Disenchantment of Liberal Legal Discourse
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either. Nº de ref. del artículo: 9783659624155
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