This work theorizes the contemporary attraction to three-dimensional media. In doing so, it reframes ongoing debates surrounding digital three-dimensional media in order to critique the neoliberal social relations such media engender. I argue that the contemporary interest in dimensionality (especially regarding digital media) is symptomatic of a broad cultural shift, wherein millions of lives are now essentially being lived through two-dimensional, “flat” media, which have consequently generated a lack of spatial relationships and a craving or desire for “depth.” This “desire for depth” has arisen in contemporary society because people are being “spread too thin” through a combination of the radical connectivity afforded by digital technology and the demand for limitless flexibility imposed by the market: a condition I call "hyper-extensionality." Through analyses of select, prominent forms of three-dimensional media, I show that commercial three-dimensional media largely functions to maintain the contemporary status quo by helping alleviate the feeling of “depthlessness” in the social unconscious.
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This work theorizes the contemporary attraction to three-dimensional media. In doing so, it reframes ongoing debates surrounding digital three-dimensional media in order to critique the neoliberal social relations such media engender. I argue that the contemporary interest in dimensionality (especially regarding digital media) is symptomatic of a broad cultural shift, wherein millions of lives are now essentially being lived through two-dimensional, "flat" media, which have consequently generated a lack of spatial relationships and a craving or desire for "depth." This "desire for depth" has arisen in contemporary society because people are being "spread too thin" through a combination of the radical connectivity afforded by digital technology and the demand for limitless flexibility imposed by the market: a condition I call "hyper-extensionality." Through analyses of select, prominent forms of three-dimensional media, I show that commercial three-dimensional media largely functions to maintain the contemporary status quo by helping alleviate the feeling of "depthlessness" in the social unconscious.
Currently holds a Master of Liberal Arts degree in Film Studies from the University of South Florida. Primary academic concentrations have included: Theories of technology, film and new media theory, and contemporary film. He is now pursuing further education in Information Management and Information Assurance.
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Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This work theorizes the contemporary attraction to three-dimensional media. In doing so, it reframes ongoing debates surrounding digital three-dimensional media in order to critique the neoliberal social relations such media engender. I argue that the contemporary interest in dimensionality (especially regarding digital media) is symptomatic of a broad cultural shift, wherein millions of lives are now essentially being lived through two-dimensional, flat media, which have consequently generated a lack of spatial relationships and a craving or desire for depth. This desire for depth has arisen in contemporary society because people are being spread too thin through a combination of the radical connectivity afforded by digital technology and the demand for limitless flexibility imposed by the market: a condition I call 'hyper-extensionality.' Through analyses of select, prominent forms of three-dimensional media, I show that commercial three-dimensional media largely functions to maintain the contemporary status quo by helping alleviate the feeling of depthlessness in the social unconscious. Nº de ref. del artículo: 9783659234972
Cantidad disponible: 2 disponibles
Librería: moluna, Greven, Alemania
Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Brecese JustinCurrently holds a Master of Liberal Arts degree in Film Studies from the University of South Florida. Primary academic concentrations have included: Theories of technology, film and new media theory, and contemporary f. Nº de ref. del artículo: 5141868
Cantidad disponible: Más de 20 disponibles