This study analyses syntactic dislocation in congregational song between 1500 and 1900. Two distinct dislocation patterns, which combine poetic factors and syntactic criteria, allow for a comparison to other genres. Indeed, syntactic dislocation makes congregational song a conservative genre both compared to religious prose and to secular poetry.
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Kirsten Gather graduated in Musicology, English philology, and Theatre, Film, and Television studies at the University of Cologne. She works as a researcher at the English department of the University of Cologne. Her research interests include historical linguistics, corpus linguistics and hymnology.
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Librería: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Alemania
Pp. Condición: Wie neu. XII, 258 S. : graph. Darst. ; 22 cm Neuwertig. - Table of contents -- Spelling conventions 1 -- Abbreviations 1 -- 1 Introduction 1 -- 1.1 Aims of this study 4 -- 1.2 Limits of this study 4 -- 1.3 This study in the context of previous research 5 -- 1.4 The structure of this thesis 7 -- 2 Syntactic Dislocation 11 -- 2.1 The nomenclature of this study 11 -- 2.2 The constituent order of English 15 -- 2.2.1 Old English 16 -- 2.2.2 Middle English 16 -- 2.2.3 Early Modern English 18 -- 2.2.4 Present Day English 19 -- 2.2.5 Summary 19 -- 2.3 Definition and subtypes of syntactic dislocation 19 -- 2.3.1 Definition of syntactic dislocation 20 -- 2.3.2 The syntactic dislocation of objects 22 -- 2.3.3 The syntactic dislocation of complements 24 -- 2.3.3.1 The dislocation of the subject complement 25 -- 2.3.3.2 The dislocation of the object complement 26 -- 2.3.4 The syntactic dislocation of obligatory adverbials 27 -- 2.3.5 Evidence from contemporaries 31 -- 2.4 Summary 33 -- 3 Poetic Factors and Rhetorical Devices 35 -- 3.1 Metre 36 -- 3.1.1 Classification 37 -- 3.1.2 Variability in the syllable structure of words 39 -- 3.1.3 How to assess metrical constraints 40 -- 3.2 Rhyme 42 -- 3.2.1 Classification 42 -- 3.2.2 Pronunciation matters 45 -- 3.2.3 How to assess dislocations due to rhyme 47 -- 3.3 Figures of Speech 48 -- 3.3.1 Hyperbaton 49 -- 3.3.2 Parallelism 50 -- 3.3.3 Chiasmus 51 -- 3.3.4 Emphasis 52 -- 3.4 The mystery of biblical Hebrew poetry 53 -- 3.5 Summary 56 -- 4 The History of Congregational Singing in England 57 -- 4.1 "there may be songe an hymne, or such lyke songe" - -- Some terminological issues 59 -- 4.1.1 The Song 59 -- 4.1.2 The Hymn 59 -- 4.1.3 Psalms and their metrical paraphrases 62 -- 4.1.4 The Canticle 64 -- 4.1.5 Definition of congregational song 64 -- 4.1.6 Terminological confusion 65 -- 4.2 Metrical Psalms in England before the Reformation 66 -- 4.3 'Hardware reset' - -- The impact of the Reformation on English congregational song 68 -- 4.4 Metrical Psalmody - -- The musical reformation of congregational song in the 16111 century 70 -- 4.5 "Out-Sternholding Sternhold" - -- The 17th century between the Old and the New Version 72 -- 4.6 From Watts to Wesley - -- The subtle beginning of hymn singing in the 18th century 77 -- 4.7 Hymns Ancient and Modern -- Preserving and remodelling hymns in the 19th century 81 -- 4.8 "20th-Century Blues" - -- The legacy of hymnody, and the 'Hymn Explosion1 85 -- 4.9 "like a crack'd saints' bell jarring in the steeple" - -- The relationship between text and music 85 -- 4.10 Summary 88 -- 5 The Corpus of Congregational Song 91 -- 5.1 Compilation of the corpus 92 -- 5.1.1 Design parameters 92 -- 5.1.2 Word count 94 ISBN 9783631645901 Sprache: Englisch Gewicht in Gramm: 450. Nº de ref. del artículo: 1077565
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose. 274 pp. Englisch. Nº de ref. del artículo: 9783631645901
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Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This study analyses syntactic dislocation in congregational song between 1500 and 1900. Two distinct dislocation patterns, which combine poetic factors and syntactic criteria, allow for a comparison to other genres. Indeed, syntactic dislocation makes congr. Nº de ref. del artículo: 112168056
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