The thirteen essays in this volume were all originally presented at international conferences or in public lectures.They address three main areas of inquiry, all of which, in one way or another, are of key importance in early modern historical discourse and theological thinking: (1) the theological diversity and debates within the Reformed tradition in the sixteenth century and beyond; (2) Peter Martyr Vermiglis noteworthy contribution to Reformed ecclesiology and biblical exegesis; and (3) the later development and enrichment of Reformed thought on both sides of the Atlantic. They show that the Reformed tradition was neither monolithic, nor monochrome, nor immutable, but evolved in different, if interrelated, patterns and directions. The thirteen essays in this volume were all originally presented at international conferences or in public lectures.They address three main areas of inquiry, all of which, in one way or another, are of key importance in early modern historical discourse and theological thinking: (1) the theological diversity and debates within the Reformed tradition in the sixteenth century and beyond; (2) Peter Martyr Vermiglis noteworthy contribution to Reformed ecclesiology and biblical exegesis; and (3) the later development and enrichment of Reformed thought on both sides of the Atlantic. They show that the Reformed tradition was neither monolithic, nor monochrome, nor immutable, but evolved in different, if interrelated, patterns and directions.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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