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Paradoxes of Appearing Essays on Art Architecture and Philosophy /anglais - Tapa blanda

 
9783037781920: Paradoxes of Appearing Essays on Art Architecture and Philosophy /anglais

Sinopsis

The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity. Contributors include Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein.

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Reseña del editor

The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and created. How do we cope with this withdrawal, with latencies that escape concretization? What are the productive paradoxes associated hereto and how do they influence the processes of making? Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity. With contributions by Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein.

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  • EditorialLARS MULLER
  • Año de publicación2009
  • ISBN 10 3037781920
  • ISBN 13 9783037781920
  • EncuadernaciónTapa blanda
  • IdiomaInglés
  • Número de páginas207
  • Contacto del fabricanteno disponible

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Asgaard, Andersen M
ISBN 10: 3037781920 ISBN 13: 9783037781920
Antiguo o usado Broschur / Softcover. Original o primera edición

Librería: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Alemania

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Broschur / Softcover. 1. Aufl. The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and created. How do we cope with this withdrawal, with latencies that escape concretization? What are the productive paradoxes associated hereto and how do they influence the processes of making? Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity. - With contributions by Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein. (Sehr gut erhalten - neu, ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 900. Nº de ref. del artículo: 405332

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Andersen, Michael Asgaard; Oxvi, Henrik (eds.)
Publicado por Lars Muller Publishers, Baden, CH, 2009
ISBN 10: 3037781920 ISBN 13: 9783037781920
Antiguo o usado Broschiert

Librería: Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, Alemania

Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

Broschiert. Condición: Gut. 24 cm 206 S. :. eng. Broschiert. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat min. Gebrauchsspuren; Vorderdeckel ist min. fleckig; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt. Nº de ref. del artículo: 521681

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Edited by Michael Asgaard Andersen, Henrik Oxvig
Publicado por Lars Müller Publishers, 2009
ISBN 10: 3037781920 ISBN 13: 9783037781920
Antiguo o usado Softcover Original o primera edición

Librería: Antiquariat UEBUE, Zürich, Suiza

Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

Softcover. Condición: Sehr gut. 1. Auflage. Z : 16,5 x 24 cm, 6 ½ x 9 ½ in 224 pages, 60 illustrations - The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. Nº de ref. del artículo: ABE-1610024603087

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Michael Asgaard Andersen
ISBN 10: 3037781920 ISBN 13: 9783037781920
Nuevo Taschenbuch

Librería: AHA-BUCH GmbH, Einbeck, Alemania

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Taschenbuch. Condición: Neu. Neuware - The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and created. How do we cope with this withdrawal, with latencies that escape concretization What are the productive paradoxes associated hereto and how do they influence the processes of making Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity.With contributions by Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein. Nº de ref. del artículo: 9783037781920

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Asgaard, Andersen M
Publicado por Lars Müller Publishers, Zürich, 2009
ISBN 10: 3037781920 ISBN 13: 9783037781920
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Kartoniert / Broschiert. Condición: New. The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to th. Nº de ref. del artículo: 4321073

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Andersen, Michael Asgaard and Henrik Oxvig eds.
Publicado por Lars Muller Publishers, 2009
ISBN 10: 3037781920 ISBN 13: 9783037781920
Antiguo o usado Tapa blanda

Librería: ANARTIST, New York, NY, Estados Unidos de America

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Softcover, 208 pages; in English; as new condition; clean and crisp; no internal marks. Nº de ref. del artículo: PaAnLa50

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