Sinopsis
I. Mechanics Between Practical and Theoretical Knowledge and the Mediatory Function of Images.- The Challenging Images of Artillery: Practical Knowledge at the Roots of the Scientific Revolution.- Ships, Science and the Three Traditions of Early Modern Design.- Art and Artifice in the Depiction of Renaissance Machines.- The Limits of Pictures: Cognitive Functions of Images in Practical Mechanics - 1400 to 1600.- Reframing the Language of Inventions: The First Theatre of Machines.- II. Theories of Matter Between Alchemy and Atomism and the Autonomy of Images.- Alchemical Iconography at the Dawn of the Modern Age: The Splendor solis of Salomon Trismosin.- The Invention of Atomist Iconography.- III. The Classification of Life and the Interaction Between Images and Texts.- Image and Text in Natural History, 1500-1700.- Notes on the Function of Early Zoological Imagery.- Elephant, Mammoth, Unicorn, or What?: Notes on the Interrelations of Pictures and Texts in Leibniz.- IV. Depicting the World at Large and the Hidden Potential of Images.- Planetary Diagrams - Descriptions, Models, Theories: From Carolingian Deployments to Copernican Debates.- Images, Models and Symbols in Copernican Propaganda.- Edmond Halley and Visual Representation in Natural Philosophy.- V. Systems of Knowledge and their Representation by Images.- Encyclopaedias and Architecture in the Sixteenth Century.- The Mathematical Sciences in Raphael's School of Athens.
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