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Sinopsis
"Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema l had much of a call to arms about it. What I write today is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidai optimism. "Light, more light", were Goethe's dying words. "Less Iight, less light", cried Orson Welles repeatedly on a set -the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!" Following his research in Poetics of Cinemal on new narrative models as tools for apprehending a rapidly shirting world, Raul Ruiz with Poetics of Cinema2 makes an appeal for an entirely new way of filming, writing, and of conceiving the image.
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Reseña del editor
"Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema l had much of a call to arms about it. What I write today is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidai optimism."Light, more light", were Goethe's dying words. "Less Iight, less light", cried Orson Welles repeatedly on a set -the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!"
Following his research in Poetics of Cinemal on new narrative models as tools for apprehending a rapidly shirting world, Raul Ruiz with Poetics of Cinema2 makes an appeal for an entirely new way of filming, writing, and of conceiving the image.
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Paperback. Condición: new. Paperback. Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema, 1 had much of a call to arms about it. What I write today is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidal optimism. Following his research in Poetics of Cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Ruiz makes an appeal for an entirely new way of filming, writing and conceiving the image. 'Light, more light,' were Goethe's last words as he died. 'Less light, less light,' Orson Welles cried repeatedly on a set--the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!' "Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema, 1 had much of a call to arms about it. What I write today is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidal optimism." Following his research in Poetics of Cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Ruiz makes an appeal for an entirely new way of filming, writing and conceiving the image. "'Light, more light, ' were Goethe's last words as he died. 'Less light, less light, ' Orson Welles cried repeatedly on a set—the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!" Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9782914563253
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