Combining playful forms and experiments with advanced technologies, Ron Arad (1951-) has emerged as one of the most influential designers of our time. Born in Tel Aviv, he moved to London in 1973 to study architecture and made his name in the early 1980s as a self-taught designer-maker of sculptural furniture. Although Arad has been better known as a designer than an architect in the years since he graduated the Architectural Association, architectural projects have been continuous. Commissions for retail and restaurant interiors followed the opening of his Covent Garden and Chalk Farm studios, notably the Belgo restaurants in London 1994 and 1995, the 2001 technology floor of the Selfridges department store in London and the 2003 Y’s Store for the Japanese fashion designer Yohji Yamamoto in Tokyo. Arad’s largest built project is the 1994 Tel Aviv Opera House, for which he and his then architectural partner Alison Brooks designed a series of autonomous curvilinear structures within the foyer of a building which was the work of another architect. This book is the first to survey Arad’s architecture from 1991 to the present day.
"Sinopsis" puede pertenecer a otra edición de este libro.
Combining playful forms and experiments with advanced technologies, Ron Arad (1951-) has emerged as one of the most influential designers of our time. Born in Tel Aviv, he moved to London in 1973 to study architecture and made his name in the early 1980s as a self-taught designer-maker of sculptural furniture. Although Arad has been better known as a designer than an architect in the years since he graduated the Architectural Association, architectural projects have been continuous. Commissions for retail and restaurant interiors followed the opening of his Covent Garden and Chalk Farm studios, notably the Belgo restaurants in London 1994 and 1995, the 2001 technology floor of the Selfridges department store in London and the 2003 Y’s Store for the Japanese fashion designer Yohji Yamamoto in Tokyo. Arad’s largest built project is the 1994 Tel Aviv Opera House, for which he and his then architectural partner Alison Brooks designed a series of autonomous curvilinear structures within the foyer of a building which was the work of another architect. This book is the first to survey Arad’s architecture from 1991 to the present day.
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Condición: Used: Good. Exemplaire en bon état - Couverture légèrement d'usage ( voir photos ) - Intérieur très propre - Envoi rapide et très soigné en colissimo - Ouvrage totalement épuisé chez l'éditeur - ref n° 231118. Nº de ref. del artículo: HD-0Q9X-IRY4
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Librería: Riverby Books (DC Inventory), Fredericksburg, VA, Estados Unidos de America
Hardcover. Condición: Very Good. Oversized softcover. Very good condition. Dated 2008 on copyright page. No date on title page. 447 pages. Binding is strong. Covers are clean and square. Some very light creasing along the bottom edge of the covers. No tears or wear. Covers glossy and bright. Pages clean and free of marks or writing throughout. The edge of the front free endpaper, in the gutter, is beginning to come unglued, but it is still strongly attached. Overall very good condition. We ship every day from a real neighborhood bookstore. This description is written by a real person, who is holding the book in front of them to make sure it's properly described. This is an oversized book- extra shipping required for international or priority shipping. Please email with questions or to see any photos. Nº de ref. del artículo: F-8692
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Librería: Antiquariat Wilder - Preise inkl. MwSt., Salzhemmendorf, Alemania
, Taschenbuch. Condición: Wie neu. 447 S., mit zahlr. Fotogr. u. Abb., 30cm x 26cm farb. ill. brosch. Eb., dieser originalverschweißt, tadelloses Exemplar. Aufgrund der aktuellen Zoll-Situation ist zur Zeit kein Versand in die USA möglich. Sprache: Englisch Gewicht in Gramm: 2850. Nº de ref. del artículo: 8050182
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