Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction.
"Sinopsis" puede pertenecer a otra edición de este libro.
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Paperback. Condición: new. Paperback. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9782906571921
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