The end of the twentieth century was marked in Britain by a renewal of academic and public interest in the Great War, which remains one of the most defining historical events in British national consciousness. Focusing on questions of memory, this book examines some of the First World War narratives that were published during what has been called the late twentieth-century "war books boom". It provides a panoramic overview of these new war stories and offers close readings of texts written not only by best-selling authors such as Pat Barker and Sebastian Faulks, but also by less well-known writers who deserve greater academic attention, such as Robert Edric and Helen Dunmore. It investigates military historians' claims about the lack of historical perspective of recent Great War writers, their perpetuation of "myths" and their inability to move beyond what has already been imagined and said. Positioned at a mid-point between literary analysis and history, this study challenges monolithic views of the war and creates a dialogue rather than a confrontation between the two disciplines. It shows how the selected narratives engage both with the writings of the trench poets and the preoccupations of their postmodern world in order to offer alternative perspectives on the war, exploring in the process complex issues regarding, among other things, the ethics of historical representation, traumatic memory, the politics of memory, and the significance of remembrance for later generations.
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Virginie Renard received her PhD in Literature from the Université catholique de Louvain (Belgium) in 2009. She has published several articles on First World War fiction in English and French. She now teaches at the Haute École Charlemagne in Liège (Belgium).
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The First World War in Late 20th-Century British Fiction (1985-2000). Brussels, Peter Lang 2013. 360 S., OKart. Neuwertig. Nº de ref. del artículo: 85445
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The end of the twentieth century was marked in Britain by a renewal of academic and public interest in the Great War, which remains one of the most defining historical events in British national consciousness. Focusing on questions of memory, this book examines some of the First World War narratives that were published during what has been called the late twentieth-century «war books boom». It provides a panoramic overview of these new war stories and offers close readings of texts written not only by best-selling authors such as Pat Barker and Sebastian Faulks, but also by less well-known writers who deserve greater academic attention, such as Robert Edric and Helen Dunmore. It investigates military historians' claims about the lack of historical perspective of recent Great War writers, their perpetuation of «myths» and their inability to move beyond what has already been imagined and said. Positioned at a mid-point between literary analysis and history, this study challenges monolithic views of the war and creates a dialogue rather than a confrontation between the two disciplines. It shows how the selected narratives engage both with the writings of the trench poets and the preoccupations of their postmodern world in order to offer alternative perspectives on the war, exploring in the process complex issues regarding, among other things, the ethics of historical representation, traumatic memory, the politics of memory, and the significance of remembrance for later generations. 360 pp. Englisch. Nº de ref. del artículo: 9782875741004
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book provides close readings of late 20th-century British narratives of the First World War, written by both best-selling and less well-known fiction writers. Positioned at a mid-point between literary analysis and history, it shows that, by focusing o. Nº de ref. del artículo: 103324167
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The end of the twentieth century was marked in Britain by a renewal of academic and public interest in the Great War, which remains one of the most defining historical events in British national consciousness. Focusing on questions of memory, this book examines some of the First World War narratives that were published during what has been called the late twentieth-century «war books boom». It provides a panoramic overview of these new war stories and offers close readings of texts written not only by best-selling authors such as Pat Barker and Sebastian Faulks, but also by less well-known writers who deserve greater academic attention, such as Robert Edric and Helen Dunmore. It investigates military historians' claims about the lack of historical perspective of recent Great War writers, their perpetuation of «myths» and their inability to move beyond what has already been imagined and said. Positioned at a mid-point between literary analysis and history, this study challenges monolithic views of the war and creates a dialogue rather than a confrontation between the two disciplines. It shows how the selected narratives engage both with the writings of the trench poets and the preoccupations of their postmodern world in order to offer alternative perspectives on the war, exploring in the process complex issues regarding, among other things, the ethics of historical representation, traumatic memory, the politics of memory, and the significance of remembrance for later generations.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 364 pp. Englisch. Nº de ref. del artículo: 9782875741004
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Taschenbuch. Condición: Neu. Neu Neuware, Importqualität, auf Lager - The end of the twentieth century was marked in Britain by a renewal of academic and public interest in the Great War, which remains one of the most defining historical events in British national consciousness.Focusing on questions of memory, this book examines some of the First World War narratives that were published during what has been called the late twentieth-century 'war books boom'. It provides a panoramic overview of these new war stories and offers close readings of texts written not only by best-selling authors such as Pat Barker and Sebastian Faulks, but also by less well-known writers who deserve greater academic attention, such as Robert Edric and Helen Dunmore. It investigates military historians' claims about the lack of historical perspective of recent Great War writers, their perpetuation of 'myths' and their inability to move beyond what has already been imagined and said. Positioned at a mid-point between literary analysis and history, this study challenges monolithic views of the war and creates a dialogue rather than a confrontation between the two disciplines. It shows how the selected narratives engage both with the writings of the trench poets and the preoccupations of their postmodern world in order to offer alternative perspectives on the war, exploring in the process complex issues regarding, among other things, the ethics of historical representation, traumatic memory, the politics of memory, and the significance of remembrance for later generations. Nº de ref. del artículo: INF1000510268
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Taschenbuch. Condición: Neu. The Great War and Postmodern Memory | The First World War in Late 20 th -Century British Fiction (1985-2000) | Virginie Renard | Taschenbuch | Englisch | 2013 | Peter Lang | EAN 9782875741004 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. Nº de ref. del artículo: 105548636
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