Nota Bene explores a little-known juxtaposition of verbal text and musical notation in the Middle Ages. This particular intersection deserves attention from those interested in music, the reception of classical Latin literature, the history of education, and the development of punctuation. Between the late tenth century and the late twelfth century, the musical notation known as neumes was provided in dozens of manuscripts for, among other texts, a number of Horace's Odes as well as for sections of epics by Lucan, Statius, and Vergil. These materials constitute a paradoxical corpus of "classical poems in plainchant" that complicates our views of both how students learned Latin and what was being sung in an era most often associated with Gregorian chant. The book wrestles first with the literary-historical puzzle of why certain passages and not others were "neumed" and later with the ethnomusicological riddles of how, where, when, and by whom the passages were sung.
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Nota Bene explores a little-known juxtaposition of verbal text and musical notation in the Middle Ages. This particular intersection deserves attention from those interested in music, the reception of classical Latin literature, the history of education, and the development of punctuation. Between the late tenth century and the late twelfth century, the musical notation known as neumes was provided in dozens of manuscripts for, among other texts, a number of Horace's Odes as well as for sections of epics by Lucan, Statius, and Vergil. These materials constitute a paradoxical corpus of "classical poems in plainchant" that complicates our views of both how students learned Latin and what was being sung in an era most often associated with Gregorian chant. The book wrestles first with the literary-historical puzzle of why certain passages and not others were "neumed" and later with the ethnomusicological riddles of how, where, when, and by whom the passages were sung.
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Librería: Leaf and Stone Books, Toronto, ON, Canada
Softcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket. KB55.Xv, 362 pages : illustrations. Octavo. Still in publisher's shrinkwrap. Beige softcovers with oxblood titles and decoration blocks. In very nice condition. Introduction. The scope and nature of the question ; Defining neumes ; The meaning of the classicsThe recording and the use of neumes. Why musical notation was provided ; Reading and writing between the lines : the grammar of notation ; Putting a stop to it : punctuationReasons for the neuming of the classics. Metre and melody ; Accent and rhythm ; Rhetorical emphasis on pathos and speechInspirations and analogues. Text and song in Roman aniquity ; Sacred lament ; Vernacular songThe decline of the neumed classicsAppendix 1. Inventory of neumed classical textsAppendix 2. Speeches among classical passages with neumation; Publications of the Journal of Medieval Latin; Vol. 7; 8vo 8" - 9" tall; 362 pages. Nº de ref. del artículo: 11971
Cantidad disponible: 1 disponibles
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
paperback. Condición: New. Nº de ref. del artículo: 88781
Cantidad disponible: 2 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. 2007. Bilingual. paperback. . . . . . Nº de ref. del artículo: V9782503525341
Cantidad disponible: 2 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. 2007. Bilingual. paperback. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9782503525341
Cantidad disponible: 2 disponibles
Cantidad disponible: 1 disponibles
Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Alemania
Condición: gut. Nota Bene Reading Classics and Writing Melodies in the Early Middle Ages In deutscher Sprache. pages. Nº de ref. del artículo: BN386025
Cantidad disponible: 1 disponibles