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Sinopsis
A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."
-The Poetry Foundation
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Acerca del autor
Arthur Vogelsang is the author of seven books of poetry. Twentieth Century Women (1988) was chosen by John Ashbery for the Contemporary Poetry Series, Cities and Towns (1996) received the Juniper Prize, and Orbit (2016) was in the Pitt Poetry Series. He has numerous appearances in anthologies such as The Best American Poetry (Scribner), American Hybrid (Norton), and The New Breadloaf Anthology of Contemporary Poetry. He was an editor/publisher of The American Poetry Review from 1973-2006. The recipient of a California Arts Council Fellowship and three National Endowment for the Arts Fellowships, he lives in Los Angeles with his wife Judith.
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Smooth Side, Rough Side (Paperback or Softback)
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Paperback. Condición: new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781968148614
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Paperback. Condición: new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9781968148614
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His 'good, nasty poems evoke the America of Norman Rockwell,' says John Ashbery, 'as Hieronymus Bosch might have painted it,' though Vogelsang at second or third glance is never as ironic or surreal as on first read. His 'absolutely familiar voice,' as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says 'by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does.'-The Poetry Foundation. Nº de ref. del artículo: 9781968148614
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Paperback. Condición: new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781968148614
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