The fifty-two new poems in The Enormous Room by Richard Brown Lethem were written during the last two years as the author re-settled in Northern Maine after the Covid hiatus in Southern California.
This collection documents that transition, in particular, the radical quality of color in nature as an emotionally charged element as well as the inner movements in aging during this period.
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Richard Brown Lethem (b. 1932) has been living and thinking in paint on canvas since the 1950s, with results that have been categorized, more or less aptly, as abstraction, expressionism, figuration, social realism, surrealism, and allegory. Now in his 90s, Lethem's imagery has become unified and direct, often consisting of a central form derived from nature, yet distilled by the visionary pressure of his attention into symbols directly drawn from his psychic landscape, and beamed into that of the viewer. Lethem's first book on Bamboo Dart Press, Roots, Stones and Baggage, was a collection of paintings and poems spanning seven decades. A recent show of his paintings was on view at the Inman Gallery in Texas and he has an upcoming exhibit at The Claremont Lewis Museum in California.
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