When stargazing, certain phenomena can only be seen with peripheral sight. I’m reminded of this fact by Rae Gouirand’s long poem The Velvet Book, whose indirect engagement with subjects yields true vision. Love, death, the past, what might yet be possible, what a self is and is not-all are strung together here like sumptuous, light-shot gems, and the couplets that carry them flow easily as brook water, page into page into page. This book is a beautiful experience.
-Christopher Nelson
By turns measured, sharp, slippery, and ecstatic, Rae Gouirand’s The Velvet Book is a stunning achievement. With a studious, prismatic eye (and ear), Gouirand attends to the sumptuous and mysterious folds of velvet, of the space between what we wear and who we are, of the overlap between interior and exterior. Ultimately, this book is a learned, generous, and queer meditation on commitment, on "the question of how to stay/and then how to allow for drift," on the marriage between the self and the other that finds itself in language and the body of the beloved.
-Brent Armendinger
The Velvet Book is restless, it refuses to settle. Under the cover of velvet, dreaming velvet, it feels its edges and disorientations, its zones of endlessness. Here, thought rustles and deepens, velvet-tongued, and moves us to impossibly dizzying places where everything touches. The Velvet Book is heartfelt, questing, sumptuous-a meditation on grief and love and their textures, on what is and isn’t possible to promise, on what it means to be a fully available living self.
-Richard Siken
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Rae Gouirand is also the author of two collections of poetry, Glass is Glass Water is Water (2018) and Open Winter (winner of the Bellday Prize, 2011), the chapbooks Rough Sequence (winner of the Keystone Chapbook Award, 2023), Little Hour (winner of the Swan Scythe Chapbook Contest, 2022), Jinx (winner of the Summer Kitchen Competition, 2019), and Must Apple (winner of the Oro Fino Competition, 2018), and a short work of nonfiction, The History of Art (winner of The Atlas Review's Open Reading Competition 2019). Her work has appeared in American Poetry Review, Bateau, Beloit Poetry Journal, Bennington Review, Boston Review, Conjunctions, Crazyhorse, Foglifter, The Iowa Review, jubilat, The Kenyon Review, the Lambda Literary Poetry Spotlight, Michigan Quarterly Review, [PANK], Quarterly West, The Rumpus, Spinning Jenny, Under a Warm Green Linden, VOLT, ZYZZYVA, two volumes of the Best New Poets series, Please Excuse This Poem: 100 New Poems for the Next Generation, Queer Nature: A Poetry Anthology, and many other journals and anthologies nationwide. She leads several longrunning independent workshops in northern California and online, including the cross-genre workshop Scribe Lab, and lectures in the Department of English at the University of California-Davis.
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