Perhaps best known for the iconic desert monolith “Cadillac Ranch” and stunts like “Media Burn,” the radical architecture and media art group Ant Farm created an abundance of works across disciplines―including video, publications, built environments and performances. Throughout their career (1968–79), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farm’s time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined. Ant Farm’s successor group, LST, has taken up the project with their contemporary work “Ant Farm Media Van v.08 [Time Capsule]” (2008). This work not only functions but updates the original’s line of questioning, exploring notions of the time capsule in the digital age. The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Hardcover. Condición: new. Hardcover. Perhaps best known for the iconic desert monolith Cadillac Ranch and stunts like Media Burn, the radical architecture and media art group Ant Farm created an abundance of works across disciplinesincluding video, publications, built environments and performances. Throughout their career (196879), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farms time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined.Ant Farms successor group, LST, has taken up the project with their contemporary work Ant Farm Media Van v.08 [Time Capsule] (2008). This work not only functions but updates the originals line of questioning, exploring notions of the time capsule in the digital age.The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781945711015
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Hardback. Condición: New. Perhaps best known for the iconic desert monolith "Cadillac Ranch" and stunts like "Media Burn," the radical architecture and media art group Ant Farm created an abundance of works across disciplines-including video, publications, built environments and performances. Throughout their career (1968-79), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farm's time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined. Ant Farm's successor group, LST, has taken up the project with their contemporary work "Ant Farm Media Van v.08 [Time Capsule]" (2008). This work not only functions but updates the original's line of questioning, exploring notions of the time capsule in the digital age.The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST. Nº de ref. del artículo: LU-9781945711015
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