'Reading' [Fletcher's] work in book form at this intimate scale heightens the narrative, literary, and poetic quality of his photographic assemblages.--Nick Bennett "Brooklyn Rail "
A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.
Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Hardcover. Condición: Used - Like New. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh. BEAUTIFUL COPY!!! Nº de ref. del artículo: 333618
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Nº de ref. del artículo: M1941753221Z3
Cantidad disponible: 1 disponibles
Librería: Optimon Books, Gravesend, KENT, Reino Unido
Hardcover. Condición: Good. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh. Copyright © Inventory Press LLC. Nº de ref. del artículo: 462174
Cantidad disponible: 1 disponibles
Librería: Mispah books, Redhill, SURRE, Reino Unido
hardcover. Condición: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. Nº de ref. del artículo: ERICA82919417532213
Cantidad disponible: 1 disponibles
Librería: Zeitgeist Books, Middlesex, Reino Unido
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery - fitted with a removable, clear mylar sleeve - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY SAUL FLETCHER - Pictures available upon request. Signed by Author(s). Nº de ref. del artículo: 010459
Cantidad disponible: 1 disponibles