This book is a photographic essay in which classical Indian and Southeast Asian sculptures originating in the first millennium CE are juxtaposed with photographs of cut flowers. The two inhabit very different domains: the flowers are natural organic forms while the sculptures are stone man-made artifices; the flowers are alive, of the moment, their life span measured in days, whilst the sculptures are very much of the past, inanimate, frozen hundreds of years ago. The flowers display themselves in colourful exuberance while the sculptures, as we have them, are stolidly monochromatic.
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Ornan Rotem is a book designer and photographer. His previous books are A Typographic Abecedarium, about the relationship between typography and the visual world, and The Manhattan Project, photographs that accompany László Krasznahorkai as he chronicles his attempts to fathom the life of Herman Melville.
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Hardcover. Condición: new. Hardcover. This book is a photographic essay in which classical Indian and Southeast Asian sculptures originating in the first millennium CE are juxtaposed with photographs of cut flowers. The two inhabit very different domains: the flowers are natural organic forms while the sculptures are stone man-made artifices; the flowers are alive, of the moment, their life span measured in days, whilst the sculptures are very much of the past, inanimate, frozen hundreds of years ago. The flowers display themselves in colourful exuberance while the sculptures, as we have them, are stolidly monochromatic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781909631380
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