William Coldstream became one of the significant twentieth century cultural icons, who influenced generation of art students. Numbered amongst his cycle of distinguished luminaries were W. H. Auden, Stephen Spender, Christopher Isherwood, Louis MacNeice, Benjamin Britten, Sir Kenneth Clark, Adrian Stokes, A J Ayer and Anthony Blunt; as well as many artists and establishment figures whose portraits he painted, including one Prime Minister.However, celebrated Coldstream was to become he revealed a somewhat tormented and anxious mind racked with self-doubt. Was he ever going to be appreciated as an artist, will people understand his painting or will he ever gain control of his personal life. Coldstream liked to compartmentalize his life, and almost certainly none of his artistic friends knew all the facets of his extraordinarily complex, secretive and eccentric life; less so about his painting. Yet, this was in contrast to his outwardly lively, witty and charming public personality; a personality which, in equal measures, demonstrated a waspish sense of humor, whose tongue, flashing out like a lizards.This publication will be the first complete catalogue raisonné and first comprehensive essay to critically scrutinize Coldstream’s entire output, his singular painting method and to clarify his empiricist approach to objective realism, which hitherto has been largely misunderstood by art historians and critics. Each painting is chronologically described in full and accompanied by supportive text to place Coldstream’s figurative painting within a cultural context.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Hardcover. Condición: new. Hardcover. William Coldstream became one of the significant twentieth century cultural icons, who influenced generation of art students. Numbered amongst his cycle of distinguished luminaries were W. H. Auden, Stephen Spender, Christopher Isherwood, Louis MacNeice, Benjamin Britten, Sir Kenneth Clark, Adrian Stokes, A J Ayer and Anthony Blunt; as well as many artists and establishment figures whose portraits he painted, including one Prime Minister.However, celebrated Coldstream was to become he revealed a somewhat tormented and anxious mind racked with self-doubt. Was he ever going to be appreciated as an artist, will people understand his painting or will he ever gain control of his personal life. Coldstream liked to compartmentalize his life, and almost certainly none of his artistic friends knew all the facets of his extraordinarily complex, secretive and eccentric life; less so about his painting. Yet, this was in contrast to his outwardly lively, witty and charming public personality; a personality which, in equal measures, demonstrated a waspish sense of humor, whose tongue, flashing out like a lizards.This publication will be the first complete catalogue raisonne and first comprehensive essay to critically scrutinize Coldstreams entire output, his singular painting method and to clarify his empiricist approach to objective realism, which hitherto has been largely misunderstood by art historians and critics. Each painting is chronologically described in full and accompanied by supportive text to place Coldstreams figurative painting within a cultural context. first complete catalogue raisonee and comprehensive essay of this twentieth century artist Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781908326799
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