This profound essay explores what separates photography from other artistic media. Murat Nemet-Nejat argues that photographic seeing is not a plastic experience, but a meditative one built around a relationship between image and words. Through a critique of photographs in a 1993 exhibition at the Metropolitan Museum of Art, The Waking Dream: Photography’s First Century, he shows repeatedly how the focal points in photographs are often their mistakes (blurs, over- or underexposures, etc.) and, spatially, exist in their peripheries.
Among his other books are Questions of Accent (essay), The Spiritual Life of Replicants, Animals of Dawn, Io’s Song, and Turkish Voices (poetry). His translations of Turkish poets include: Ece Ayhan’s A Blind Cat Black and Orthodoxies (Green Integer). Seyhan Erözçelik’s Rosestrikes and Coffee Grinds, and Birhan Keskin’s Y’ol. He also edited Eda: An Anthology of Contemporary Turkish Poetry. He lives in Hoboken, New Jersey.
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This profound, short essay by poet and translator Murat Nemet-Nejat explores what separates photography from other artistic media. Nemet-Nejat argues that photographic seeing is not a plastic experience, but a meditative one built around a relationship between image and words. Through a critique of photographs in the Metropolitan Museum of Art exhibition of 1993, he shows repeatedly how the focal points in photographs are often their mistakes (blurs, over or under exposures, etc.) and, spatially, exist in their peripheries.
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR010159195
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: Good. Num Pages: 114 pages. BIC Classification: AJ; DN. Category: (G) General (US: Trade). Dimension: 152 x 107 x 8. Weight in Grams: 93. Good copy with some shelf wear. 2004. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: KHN0000484
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: Good. Num Pages: 114 pages. BIC Classification: AJ; DN. Category: (G) General (US: Trade). Dimension: 152 x 107 x 8. Weight in Grams: 93. Good copy with some shelf wear. 2004. Paperback. . . . . Nº de ref. del artículo: KHN0000484
Cantidad disponible: 1 disponibles
Librería: El Gato de Papel, MOUNTAINSIDE, NJ, Estados Unidos de America
Soft cover. Condición: Fine. 1st Edition. Softtcover book in FINE condition. Stated first edition signed by the author, "with respect", Feb. 22, 2003. Actual book is pictured. See images provides. Minimal shelf wear. All pages clean without any markings, notations or folds. Tight binding. Synopsis This profound essay explores what separates photography from other artistic media. Murat Nemet-Nejat argues that photographic seeing is not a plastic experience, but a meditative one built around a relationship between image and words. Through a critique of photographs in a 1993 exhibition at the Metropolitan Museum of Art, The Waking Dream: Photography's First Century, he shows repeatedly how the focal points in photographs are often their mistakes (blurs, over- or underexposures, etc.) and, spatially, exist in their peripheries. Among his other books are Questions of Accent (essay), The Spiritual Life of Replicants, Animals of Dawn, Io's Song, and Turkish Voices (poetry). His translations of Turkish poets include: Ece Ayhan's A Blind Cat Black and Orthodoxies (Green Integer). Seyhan Erözçelik's Rosestrikes and Coffee Grinds, and Birhan Keskin's Y'ol. He also edited Eda: An Anthology of Contemporary Turkish Poetry. He lives in Hoboken, New Jersey. This profound, short essay by poet and translator Murat Nemet-Nejat explores what separates photography from other artistic media. Nemet-Nejat argues that photographic seeing is not a plastic experience, but a meditative one built around a relationship between image and words. Through a critique of photographs in the Metropolitan Museum of Art exhibition of 1993, he shows repeatedly how the focal points in photographs are often their mistakes (blurs, over or under exposures, etc.) and, spatially, exist in their peripheries. "About this title" may belong to another edition of this title. Signed by Author(s). Nº de ref. del artículo: 250713
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Librería: Book Express (NZ), Shannon, Nueva Zelanda
Paperback. Condición: Very Good. 102 pages. This new short work explores what separates photography from other artistic m edia. Nemet-Nejat argues that photographic seeing is not a plastic experience, b ut a meditative one, built around a relationship between image and words. Throug. Nº de ref. del artículo: 603p
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Librería: BennettBooksLtd, San Diego, NV, Estados Unidos de America
Paperback. Condición: New. In shrink wrap. Looks like an interesting title! Nº de ref. del artículo: Q-1892295903
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