Poetry. The water shored up the pilings and barnacles/ that shored up the pier, that shored up/ the memory machine. In Lytle Shaw's CABLE FACTORY 20, Robert Smithson's description of the landscape surrounding his Spiral Jetty in Utah's Great Salt Lake guides 20 site-specific poems. In the spirit of Smithson's site/ non-site dynamic, which proposes a continuous circuit between objects selected for framing as art and the contexts out of which they have been pulled, Shaw uses the the San Francisco Bay Area as his laboratory, exploring the extent to which a poetics of place, a linguistic site-specificity, is possible in the social/architectural landscape of the century America. Lytle Shaw edits SHARK with artist Emilie Clark. Their collaborations ROUGH VOICE and FLEXAGON, as well as SHARK, are available from SPD.
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Poetry. The water shored up the pilings and barnacles/ that shored up the pier, that shored up/ the memory machine. In Lytle Shaw's CABLE FACTORY 20, Robert Smithson's description of the landscape surrounding his Spiral Jetty in Utah's Great Salt Lake guides 20 site-specific poems. In the spirit of Smithson's site/ non-site dynamic, which proposes a continuous circuit between objects selected for framing as art and the contexts out of which they have been pulled, Shaw uses the the San Francisco Bay Area as his laboratory, exploring the extent to which a poetics of place, a linguistic site-specificity, is possible in the social/architectural landscape of the century America. Lytle Shaw edits SHARK with artist Emilie Clark. Their collaborations ROUGH VOICE and FLEXAGON, as well as SHARK, are available from SPD.
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