Calvin Bedient's fourth collection, The Multiple, meets an unspeakably excessive reality with an unremitting intensity of its own. The "multiple" in question is the imbroglio of entwinements and failed copulas within us and all around us, the reality underlying and giving the lie to our stereotypes. Dazzlingly resourceful-witty, multi-tonal, musical, propositional, painterly-the poems thump the increasingly empty box of cultural goods, an inheritance that isn't really ours. We are left with a naked need for creativity in a cosmos whose gift of time is a gift of chaos. If in a universe that is "not-one . . . the rhapsodic is the avenue to the truth," as Alain Badiou says, the quality of the rhapsodic in The Multiple is as cacophonous and unforgiving as it is lyrical and hooked. The truth is extreme, this aggressively uncensored book says, as it battles to give equal power to a savage voice and a soaring voice. Strong in their invisible architecture, these are poems of wild openness and sheer aliveness.
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Calvin Bedient is a professor emeritus at the University of California–Los Angeles and the coeditor of Lana Turner. He is also a critic whose reviews have appeared in the Boston Review, the New York Times Book Review, the New Republic, the Nation, Partisan Review, and Salmagundi. His books and collections of poetry include Candy Necklace, Days of Unwilling, Eight Contemporary Poets, He Do the Police in Different Voices, The Violence of the Morning, and The Yeats Brothers and Modernism’s Love of Motion. He lives in Santa Monica, California.
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Paperback. Condición: New. Calvin Bedient's fourth collection, The Multiple, meets an unspeakably excessive reality with an unremitting intensity of its own. The "multiple" in question is the imbroglio of entwinements and failed copulas within us and all around us, the reality underlying and giving the lie to our stereotypes. Dazzlingly resourceful-witty, multi-tonal, musical, propositional, painterly-the poems thump the increasingly empty box of cultural goods, an inheritance that isn't really ours. We are left with a naked need for creativity in a cosmos whose gift of time is a gift of chaos. If in a universe that is "not-one . . . the rhapsodic is the avenue to the truth," as Alain Badiou says, the quality of the rhapsodic in The Multiple is as cacophonous and unforgiving as it is lyrical and hooked. The truth is extreme, this aggressively uncensored book says, as it battles to give equal power to a savage voice and a soaring voice. Strong in their invisible architecture, these are poems of wild openness and sheer aliveness. Nº de ref. del artículo: LU-9781890650667
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